कन्या च सुखसौभाग्य शीलाचारगुणान्विता । तथा स्यात्पुत्रिणी साध्वी पतिव्रतपरायणा
kanyā ca sukhasaubhāgya śīlācāraguṇānvitā | tathā syātputriṇī sādhvī pativrataparāyaṇā
اور وہ کنیا سکھ اور سوبھاگ سے آراستہ ہوتی ہے، نیک سیرت اور درست آچارن کے گُنوں سے یکتہ؛ وہ اولاد والی، سادھوی اور پتی ورتا کے ورت میں یکسو ہو جاتی ہے۔
Narrative voice (phala-oriented statement within the Māhātmya)
Listener: Ṛṣis / dvijāḥ
Scene: An auspicious bridal figure symbolizing saubhāgya—modest, composed, adorned simply—surrounded by emblems of virtue (lamp, water-pot, sacred thread context via dvijas).
Dharma in household life is portrayed as auspiciousness: virtue, right conduct, and family flourishing.
Indirectly the same shrine/ākhyāna context (Haravedī/Vṛṣabhadhvaja) whose worship/listening is said to yield these marital blessings.
No explicit rite here; it functions as a promised outcome (phala) connected to the chapter’s worship/listening practice.