ततश्च सहजं रूपं मम भूयात्सुरेश्वर । वैदिशे नगरे चास्ति मणिभद्रः सुरेश्वर
tataśca sahajaṃ rūpaṃ mama bhūyātsureśvara | vaidiśe nagare cāsti maṇibhadraḥ sureśvara
پھر، اے دیوتاؤں کے پروردگار، میرا اپنا فطری روپ دوبارہ لوٹ آئے۔ ویدیسا کے شہر میں منی بھدر نام کا ایک ہے، اے سُریشور۔
Puṣpa (deduced)
Tirtha: Vaidīśa
Type: kshetra
Scene: A divine audience scene: the petitioner asks that after the act, their natural form return; then the narrative ‘cuts’ to a cityscape labeled Vaidīśa, introducing Maṇibhadra as a powerful yakṣa figure associated with the place.
Powers and altered states are secondary; restoration to one’s ‘natural’ condition is valued—suggesting restraint and right use of boons.
Vaidīśa (a named city) is mentioned as a concrete geographic marker within the Nāgarakhaṇḍa’s sacred-travel narrative.
No explicit ritual is stated in this verse; it provides location-context (Vaidīśa) and a named figure (Maṇibhadra).