ततो हरींद्रप्रमुखाः प्रतुष्टुवुर्ननृतुश्च रंभाप्रमुखा वरांगनाः । वाद्यानि सर्वाणि च वादयंतस्तं साधुसाध्वित्यमरा जगुर्भुशम्
tato harīṃdrapramukhāḥ pratuṣṭuvurnanṛtuśca raṃbhāpramukhā varāṃganāḥ | vādyāni sarvāṇi ca vādayaṃtastaṃ sādhusādhvityamarā jagurbhuśam
تب ہری (وشنو)، اندر اور دیگر دیوتاؤں نے اس کی ستوتی کی؛ رمبھا وغیرہ اپسراؤں نے رقص کیا۔ ہر طرح کے ساز بجنے لگے اور اَمروں نے بلند آواز سے گایا: “سادھو! سادھو!”
Sūta (deduced for Māheśvarakhaṇḍa narrative frame)
Scene: A divine court scene: Viṣṇu and Indra at the forefront offering hymns; Rambhā and apsarases dance; gandharvas play instruments; the air filled with ‘sādhu sādhu’ acclamation.
Righteous victory and divine purpose are affirmed by the gods themselves; dharma is celebrated, not merely achieved.
No specific tīrtha is named in this verse; it is a narrative moment within the Kaumārikākhaṇḍa’s Skanda-centered account.
None directly—this verse describes stuti (praise), nṛtya (dance), and vādyaghoṣa (instrumental music) as celebratory acts.