ततः सरस्वतीतीरे यानि भूतानि नारद । ग्रहाश्चोपग्रहाश्चैव वेतालाः शाकिनी गणाः
tataḥ sarasvatītīre yāni bhūtāni nārada | grahāścopagrahāścaiva vetālāḥ śākinī gaṇāḥ
پھر، اے نارد، سرسوتی کے کنارے طرح طرح کے بھوت—گ्रह اور اوپگ्रह، ویتال، اور شاکنیوں کے جتھے—جمع/نمایاں ہوئے۔
Nārada
Tirtha: Sarasvatī-tīra
Type: ghat
Listener: Nārada (vocative in verse)
Scene: On the misty bank of Sarasvatī, shadowy hosts—grahas and upagrahas as astral-personified forces, vetālas, and śākinī-gaṇas—gather in the twilight as Skanda’s divine procession approaches, the river shining as a boundary between worlds.
The Purāṇas portray the world as layered with visible and invisible beings; divine missions move through—and subdue—such forces in service of dharma.
The Sarasvatī riverbank is indicated as a significant sacred landscape within the journey narrative.
None explicitly; the verse catalogs classes of beings associated with the locale and the unfolding campaign.