न्यस्तमस्तकपांसुश्च संध्यामाध्यात्मिकीं स्मरन् । जपन्पंचाक्षरीं विद्यां ध्यायन्देवं कपर्दिनम्
nyastamastakapāṃsuśca saṃdhyāmādhyātmikīṃ smaran | japanpaṃcākṣarīṃ vidyāṃ dhyāyandevaṃ kapardinam
سر جھکائے، باطنی (روحانی) سندھیا کو یاد کرتے ہوئے، وہ پنچاکشری ودیا کا جپ کرتا رہا اور دیو کپرڈن (شیو) کا دھیان کرتا رہا۔
Skanda (deduced from Kāśīkhaṇḍa context: Skanda speaking to Agastya)
Tirtha: Kapardīśa-liṅga (contextual)
Type: temple
Listener: Agastya (Kumbhayoni)
Scene: Vālmīki with head bowed, dust at the crown from prostration, seated in meditation near the liṅga; he silently performs inner sandhyā, counting a mālā while the mantra ‘namaḥ śivāya’ is implied; Śiva as Kapardin is envisioned with jaṭā, crescent moon, and serene gaze.
Devotion becomes complete when outer reverence (bowing) is joined with inner sandhyā, mantra-japa, and dhyāna on Śiva.
The practice is described within the Kāśī-khaṇḍa milieu; the focus here is on worship at/near a Śiva-liṅga rather than naming a particular tīrtha.
Sandhyā remembrance (inward form), Pañcākṣarī-japa, and meditation on Śiva (Kapardin).