मृगाणां पक्षिणामित्थं दृष्ट्वा चेष्टां त्रिविष्टपम् । अकांडपातसंकष्टं निनिंदुस्त्रिदशा बहु
mṛgāṇāṃ pakṣiṇāmitthaṃ dṛṣṭvā ceṣṭāṃ triviṣṭapam | akāṃḍapātasaṃkaṣṭaṃ niniṃdustridaśā bahu
ہرنوں اور پرندوں کی ایسی روش دیکھ کر، تری دَیوَتاؤں نے خود سُورگ کی بہت ملامت کی—اچانک گراوٹ کے دکھ اور کرب سے مضطرب ہو کر۔
Skanda (deduced; narrative evaluation)
Scene: Gods in Svarga observe the gentle, disciplined behavior of animals and birds and, feeling the pain of heaven’s precariousness and sudden fall, criticize Svarga’s instability; a subtle contrast with the serenity of true liberation is implied.
Heaven is unstable and subject to ‘fall’; the narrative implicitly elevates liberation and the mokṣa-kṣetra ideal above mere svarga-merit.
By contrast and implication, Kāśī/Avimukta is glorified as a superior spiritual destination to Svarga.
None; it frames a theological comparison—svarga’s precariousness versus the higher promise of liberation.