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Skanda Purana — Kashi Khanda, Shloka 17

रावणारे नमस्तुभ्यं विभीषणशरण्यद । अजाय जयरूपाय रणांगणविचक्षण

rāvaṇāre namastubhyaṃ vibhīṣaṇaśaraṇyada | ajāya jayarūpāya raṇāṃgaṇavicakṣaṇa

اے راون کے دشمن، تجھے سلام؛ اے وبھیشن کو پناہ دینے والے، تجھے سلام۔ اے اَج (بےآغاز)، فتح کے مجسم، اور میدانِ جنگ کے دانا تدبیرکار، تجھے نمونمہ۔

रावणारेO enemy of Rāvaṇa
रावणारे:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootरावण + अरि (प्रातिपदिके)
Formपुंलिङ्ग; सम्बोधन (Vocative/8th), एकवचन; तत्पुरुषः (रावणस्य अरिः)
नमःsalutation
नमः:
Sambodhana/Address (सम्बोधन-प्रयोग)
TypeIndeclinable
Rootनमस् (प्रातिपदिक)
Formअव्यय; नमस्कारार्थक-निपात
तुभ्यम्to you
तुभ्यम्:
Sampradana (Recipient/सम्प्रदान)
TypeNoun
Rootयुष्मद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम; चतुर्थी (4th/Dative), एकवचन
विभीषणशरण्यदO giver of refuge to Vibhīṣaṇa
विभीषणशरण्यद:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootविभीषण + शरण्य + द (प्रातिपदिके)
Formपुंलिङ्ग; सम्बोधन (Vocative/8th), एकवचन; तत्पुरुषः (विभीषणस्य शरण्यः दाता/आश्रयदाता)
अजायto the unborn one
अजाय:
Sampradana (Recipient/सम्प्रदान)
TypeNoun
Rootअज (प्रातिपदिक)
Formपुंलिङ्ग; चतुर्थी (4th/Dative), एकवचन
जयरूपायto the embodiment of victory
जयरूपाय:
Sampradana (Recipient/सम्प्रदान)
TypeNoun
Rootजय + रूप (प्रातिपदिके)
Formनपुंसकलिङ्ग/पुंलिङ्ग-समासान्त-प्रातिपदिक; चतुर्थी (4th/Dative), एकवचन; तत्पुरुषः (जयस्य रूपम्)
रणाङ्गणविचक्षणO expert in the battlefield
रणाङ्गणविचक्षण:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootरण + अङ्गण + विचक्षण (प्रातिपदिके)
Formपुंलिङ्ग; सम्बोधन (Vocative/8th), एकवचन; तत्पुरुषः (रणाङ्गणे विचक्षणः)

Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)

Tirtha: Avimukta-kṣetra (Kāśī)

Type: kshetra

Scene: Rāma stands poised as the conqueror of Rāvaṇa, yet with open palm of refuge toward Vibhīṣaṇa; the battlefield is suggested, but the focus is on discernment and protective grace.

R
Rāma
R
Rāvaṇa
V
Vibhīṣaṇa

FAQs

Śaraṇāgati (seeking refuge) is upheld as dharma; the Lord protects the surrendered and establishes victory for righteousness.

The immediate verse is a Rāma-stuti; the broader glorification belongs to Kāśī as the narrative setting of the Kāśīkhaṇḍa.

None stated; the implied practice is stuti and remembrance of Rāma’s dharmic deeds.