व्योम्नापि शब्दगुणिना ध्रुवाराधनबुद्धिना । शब्दजातस्त्वशेषोपि तत्कर्ण शरणीकृतः
vyomnāpi śabdaguṇinā dhruvārādhanabuddhinā | śabdajātastvaśeṣopi tatkarṇa śaraṇīkṛtaḥ
حتیٰ کہ آکاش بھی—جس کی صفت ہی شبد (آواز) ہے—دھرو کی عبادت میں ثابت قدم ذہن والے اُس مہاتما کے سبب، آوازوں کی پوری جماعت کو بےباقی اُس کے کان کی پناہ میں لے آیا؛ یعنی سب نغمے مطیع ہو گئے۔
Skanda (deduced, Kāśīkhaṇḍa norm: Skanda → Agastya)
Tirtha: Kāśī-kṣetra
Type: kshetra
Scene: A yogin absorbed in unwavering worship; the sky above is filled with swirling glyph-like sound-forms that stream inward and settle at his ear, as if all noise becomes a single sacred tone.
Devotional steadiness disciplines perception itself; even ‘sound in space’ is portrayed as subdued before concentrated worship.
The Kāśī-kṣetra milieu of the Kāśīkhaṇḍa, where worship and tapas are celebrated as uniquely efficacious.
No direct prescription; it implies focused ārādhana (worship) and inner restraint as the practice.