मृत्युंजयं समाराध्य सर्वज्ञं सर्वदं सताम् । कालकालं महाकालं कालकूटविषादिनम्
mṛtyuṃjayaṃ samārādhya sarvajñaṃ sarvadaṃ satām | kālakālaṃ mahākālaṃ kālakūṭaviṣādinam
مِرتیونجَے کی باادب عبادت کر کے—جو سب کچھ جاننے والا، نیکوں کو ہر عطا دینے والا—کالکال مہاکال، اور کالکُوٹ زہر کو بھی نگل جانے والا ہے۔
Agastya (as character in the narrative)
Tirtha: Mṛtyuñjaya / Mahāmṛtyuñjaya (Kāśī)
Type: temple
Listener: Ṛṣis/śaunaka-ādi (frame) or in-story devotees
Scene: A devotional tableau: Śiva as Mṛtyuñjaya—serene yet formidable—encircled by the aura of Time (kāla), holding triśūla and ḍamaru, with a blue-tinged throat recalling the Kālakūṭa episode; devotees offer bilva and water in Kāśī’s sacred ambience.
Śiva as Mṛtyuñjaya and Mahākāla is supreme over death and poison; devotion to him grants protection and grace.
Mahākāla is especially resonant with Kāśī’s Śaiva identity (and also Ujjain in wider tradition), here within the Kāśīkhaṇḍa frame.
Propitiation/worship (samārādhana) of Mṛtyuñjaya—implying japa, stotra, and pūjā as the means.