नैवेद्यं कुर्वते नित्यं भक्तिपूर्वं द्विजोत्तमाः । रामरामेति रामेति मन्त्रमप्युच्चरंति हि
naivedyaṃ kurvate nityaṃ bhaktipūrvaṃ dvijottamāḥ | rāmarāmeti rāmeti mantramapyuccaraṃti hi
دِوِجوں میں افضل حضرات روزانہ بھکتی کے ساتھ نَیویدیہ پیش کرتے ہیں؛ اور ‘رام رام’ ‘رام رام’ یہ منتر بھی بار بار جپتے ہیں۔
Vyāsa (contextual narration; explicit speaker appears at Śloka 51)
Tirtha: Dharmāraṇya
Type: kshetra
Listener: Rājā
Scene: Dvijottamas place a daily naivedya before the sacred focus while softly repeating ‘Rāma, Rāma’; the scene is intimate, rhythmic, and suffused with devotion.
Devotional worship becomes complete when outer offering (naivedya) is joined with inner remembrance (Rāma-japa).
The Dharmāraṇya context frames the practice, presenting the region as conducive to mantra-japa and daily pūjā.
Daily naivedya offering and repeated recitation of the “Rāma, Rāma” mantra.