सभाजितः शिवस्तैश्च गौरी ह्रीणा त्वधोमुखी । तपस्तेपे च तत्रस्था शंकरादेशकारिणी
sabhājitaḥ śivastaiśca gaurī hrīṇā tvadhomukhī | tapastepe ca tatrasthā śaṃkarādeśakāriṇī
انہوں نے شیو کی تعظیم کی؛ اور گوری شرم سے سر جھکائے، وہیں تپسیا میں لگ گئی—اسی مقام پر ٹھہر کر شنکر کے حکم کی پیروی کرتی رہی۔
Deductive: a Purāṇic narrator addressing a king
Tirtha: Tapas-sthāna of Gaurī in Dharmāraṇya (implied)
Type: kshetra
Scene: Gaṇas and sādhakas honor Śiva; beside him, Gaurī stands bashful with lowered face, then sits in a composed posture to perform tapas in the same place—quiet, resolute, and obedient to Śaṅkara’s command.
Humility, obedience to divine instruction, and steadfast tapas are presented as sanctifying forces within a holy landscape.
Dharmāraṇya is the sacred setting where Gaurī’s austerity is situated, strengthening its māhātmya.
Tapas (austerity) is emphasized generally; specific rites are detailed in subsequent verses.