कामहारैश्च वंशैश्च बद्धो हिन्दोलकः कृतः । आरूढाश्च महाकन्या गायन्ते सुस्वरं तदा
kāmahāraiśca vaṃśaiśca baddho hindolakaḥ kṛtaḥ | ārūḍhāśca mahākanyā gāyante susvaraṃ tadā
شہوت انگیز ہاروں اور بانس کے کھمبوں سے باندھ کر ایک جھولا بنایا گیا۔ پھر عظیم کنواریوں نے اس پر سوار ہو کر نہایت شیریں اور ہم آہنگ سروں میں گیت گائے۔
Sūta (Lomaharṣaṇa) (deduced: Āvantya Khaṇḍa narrative style)
Tirtha: Revā (Narmadā) tīrtha (contextual)
Type: kshetra
Listener: narādhipa (king) implied by later address in the sequence
Scene: In a flowering forest-grove near a sacred riverbank, a swing (hindola) is strung between supports and adorned with garlands; noble maidens mount it and sing in perfectly tuned voices, creating a festive, sensuous atmosphere.
Sensory charm—music, ornament, and play—can become a net for the mind; the text hints at vigilance and self-mastery.
Revā-kṣetra (Narmadā region), where the Purāṇa stages moral instruction through vivid scenes.
None in this verse.