यत्र यत्र गृहे देवो लीलया डिण्डमं न्यसेत् । भाराक्रान्तं गृहं पार्थ तत्रतत्र विनश्यति
yatra yatra gṛhe devo līlayā ḍiṇḍamaṃ nyaset | bhārākrāntaṃ gṛhaṃ pārtha tatratatra vinaśyati
جس جس گھر میں دیو کھیل ہی کھیل میں وہ ‘ڈِنڈِم’ (نقّارے کی صورت) رکھ دیتا، اے پِرتھا کے بیٹے، وہ گھر بوجھ سے دب کر وہیں فوراً ڈھہ جاتا۔
Mārkaṇḍeya (deduced); addressed to Pārtha (Arjuna) within the narrative frame
Tirtha: Ekaśālā (contextual)
Type: kshetra
Listener: Pārtha (explicitly addressed)
Scene: Śiva casually sets down a massive drum-like ḍiṇḍima in a house; the structure buckles under the impossible weight and collapses instantly as onlookers recoil in awe.
Divine presence is not symbolic only—it is powerfully real; worldly structures cannot ‘bear’ the Lord’s manifested weight when He chooses to reveal it.
The Revā (Narmadā) sacred landscape where the Dīṇḍimeśvara episode unfolds as a local sanctifying miracle.
None directly; the verse prepares for later emphasis on the salvific value of encountering the deity (darśana/sparśana).
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