नमस्यामो नरं देवं तथा नारायणं हरिम् । नमो नराय नम्याय नमो नारायणाय च
namasyāmo naraṃ devaṃ tathā nārāyaṇaṃ harim | namo narāya namyāya namo nārāyaṇāya ca
ہم دیویہ نَر دیو کو اور ہری—نارائن کو سجدۂ تعظیم کرتے ہیں۔ نَمَسکار نَر کو، جو ہمیشہ قابلِ تعظیم ہے؛ اور نَمَسکار نارائن کو بھی۔
Narratorial voice (hymnic invocation within the Revā Khaṇḍa context)
Tirtha: Nara-Nārāyaṇa smaraṇa (Badarikāśrama archetype)
Type: kshetra
Listener: a king (nṛpa) in the surrounding frame
Scene: Two revered figures are invoked: Nara the divine sage and Nārāyaṇa Hari; devotees bow repeatedly in a rhythmic, mantra-like sequence.
Humble salutation (namaskāra) to Nara and Nārāyaṇa is presented as a foundational act of devotion and alignment with dharma.
The verse functions as an invocation within the Revā Khaṇḍa (Narmadā/Revā sacred geography), rather than naming a single tīrtha in this line.
No explicit rite is prescribed; the implied practice is stuti and namaskāra (reverential praise and bowing).