उपमन्युतपः-निवारणप्रसङ्गः / Śiva restrains Upamanyu’s tapas (Śiva disguised as Indra)
अथ जगाम मुनेस्तु तपोवनं गजवरेण सितेन सदाशिवः । सह सुरासुरसिद्धमहोरगैरमरराजतनुं स्वयमास्थितः
atha jagāma munestu tapovanaṃ gajavareṇa sitena sadāśivaḥ | saha surāsurasiddhamahoragairamararājatanuṃ svayamāsthitaḥ
پھر سداشیو سفید شاندار گجراج پر سوار ہو کر مُنی کے تپوون کو گئے۔ دیوتا، اسور، سدھ اور مہاورگوں کے ساتھ، انہوں نے خود امَرراج (اِندر) کا درخشاں روپ دھار رکھا تھا۔
Suta Goswami
Tattva Level: pati
Shiva Form: Sadāśiva
Sthala Purana: Not a Jyotirliṅga episode; the setting is Upamanyu’s tapovana where Śiva arrives in disguise to bless the devotee.
Significance: Tapovana motif: sanctity of ascetic spaces where Śiva grants direct anugraha to the steadfast bhakta.
It shows Sadāśiva as the supreme Pati who, out of compassion, enters the tapovana and reveals himself through a chosen form; his sovereignty is affirmed by the assembly of devas, asuras, siddhas, and nāgas moving under his will.
Though Shiva is beyond form, he is also Saguna for devotees—here he assumes an Indra-like splendor to bless and instruct. Linga-worship similarly honors the formless through a gracious, worshipable manifestation.
Contemplate Shiva as the inner Lord (Pati) who can appear in any form; in practice, pair japa of the Panchākṣarī (“Om Namaḥ Śivāya”) with dhyāna on Shiva’s compassionate descent into the devotee’s heart-tapovana.