परस्य दुर्निर्णयः—षट्कुलीयमुनिविवादः तथा ब्रह्मदर्शनार्थं मेरुप्रयाणम् | The Dispute of the Six-Lineage Sages on the Supreme and Their Journey to Brahmā at Meru
महार्हमणिचित्राभिर्लेलिहानमिवांबरम् । महाभवनकोटीभिरनेकाभिरलंकृतम्
mahārhamaṇicitrābhirlelihānamivāṃbaram | mahābhavanakoṭībhiranekābhiralaṃkṛtam
قیمتی و نایاب جواہرات کی رنگا رنگ چمک سے آسمان گویا لہراتا اور رقصاں دکھائی دیتا تھا؛ اور وہ شہر بے شمار عظیم محلّات کے مجموعوں سے آراستہ تھا۔
Suta Goswami
Tattva Level: pasha
Shiva Form: Tripurāntaka
It depicts the luminous, ordered beauty of Shiva’s divine sphere, suggesting that proximity to Pati (Shiva) transforms perception: the realm of bondage (pāśa) is replaced by a vision of radiance, harmony, and auspiciousness aligned with liberation.
The verse uses concrete splendor—jewels, palaces, and a vibrant sky—to communicate Saguna Shiva’s accessible glory. Such imagery supports devotional contemplation (bhakti) where the devotee approaches the transcendent (Nirguna) through auspicious forms and attributes.
A practical takeaway is dhyāna: visualize Shiva’s auspicious realm while repeating the Pañcākṣarī mantra “Om Namaḥ Śivāya,” steadying the mind in purity; this supports inner detachment from pāśa and orientation toward moksha.