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Shiva Purana — Vayaviya Samhita, Shloka 10

रुद्राविर्भावकारणम् — Causes and Pattern of Rudra’s Manifestation

Pratikalpa

भग्नदंष्ट्रांकुराक्रान्तप्रान्तकान्तधराधरः । सव्यश्रवणपार्श्वांतमंडलीकृतकुण्डलः

bhagnadaṃṣṭrāṃkurākrāntaprāntakāntadharādharaḥ | savyaśravaṇapārśvāṃtamaṃḍalīkṛtakuṇḍalaḥ

اُن کی دلکش، پہاڑ جیسی گردن ٹوٹے ہوئے دانتوں کے سروں کے دباؤ سے کناروں پر نشان زد تھی۔ اور بائیں کان کے پاس اُن کا کُنڈل مُڑ کر حلقہ نما گولائی میں آ گیا تھا۔

bhagna-daṃṣṭrā-aṃkura-ākrānta-prānta-kānta-dharādharaḥmountain-like (one) whose lovely extremities are seized by sprouts of broken tusks
bhagna-daṃṣṭrā-aṃkura-ākrānta-prānta-kānta-dharādharaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootbhagna (कृदन्त; √bhaj/भञ्ज्) + daṃṣṭrā (प्रातिपदिक) + aṃkura (प्रातिपदिक) + ākrānta (कृदन्त; ā-√kram) + prānta (प्रातिपदिक) + kānta (प्रातिपदिक) + dharādhara (प्रातिपदिक)
Formबहुव्रीहिः, पुंलिङ्गे प्रथमा, एकवचन; ‘भग्न-दंष्ट्रा-अङ्कुरैः आक्रान्तः प्रान्तः (यस्य) सः; कान्तः धराधरः (पर्वत-तुल्यः)’—descriptive epithet
savya-śravaṇa-pārśva-anta-maṃḍalīkṛta-kuṇḍalaḥwhose earring is coiled into a circle at the end of the left ear-side
savya-śravaṇa-pārśva-anta-maṃḍalīkṛta-kuṇḍalaḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootsavya (प्रातिपदिक) + śravaṇa (प्रातिपदिक) + pārśva (प्रातिपदिक) + anta (प्रातिपदिक) + maṃḍalīkṛta (कृदन्त; maṃḍalī-√kṛ) + kuṇḍala (प्रातिपदिक)
Formबहुव्रीहिः, पुंलिङ्गे प्रथमा, एकवचन; ‘सव्य-श्रवण-पार्श्व-अन्ते मण्डलीकृतं कुण्डलं यस्य’

Suta Goswami

Tattva Level: pati

Shiva Form: Gajasamhāramūrti

Type: stotra

S
Shiva

FAQs

It supports saguna-dhyāna: the mind is steadied by contemplating Shiva’s auspicious, vividly described form, which in Shaiva Siddhanta becomes a doorway to realizing Pati (the Lord) beyond bondage.

While Linga worship points to Shiva’s transcendent reality, such iconographic verses legitimize personal-form devotion (saguna upāsanā), helping devotees fix attention and offer bhakti that matures into inner realization.

Practice Shiva-dhyāna alongside japa of the Panchakshara ("Om Namaḥ Śivāya"), visualizing Shiva’s ornaments and serene presence; this complements Linga-pūjā with focused inner worship.