Shloka 48

निमन्त्रण-पत्रिका-प्रेषणम् (Dispatch of the Invitation Letter) / Himālaya Sends the Wedding Invitation to Śiva

Devanagari script

महोत्सवा लसत्केतुध्वजातोरणकाधिका । वितानविनिवृत्तार्का तथा नानालसत्प्रभा

Transliteration

mahotsavā lasatketudhvajātoraṇakādhikā | vitānavinivṛttārkā tathā nānālasatprabhā

Translation

وہ عظیم جشن کا منظر بن گئی—چمکتے کیتو، دھج اور تورنوں سے آراستہ؛ وِتانوں سے سورج کی تپش دب گئی، اور طرح طرح کی درخشاں روشنیاں چاروں طرف جگمگانے لگیں۔

Word by Word

• महोत्सवा: with great festivities
• महोत्सवा: Viśeṣaṇa (विशेषण)
• Type: Adjective
• Root: महा + उत्सव (प्रातिपदिक)
• Form: स्त्रीलिङ्ग, प्रथमा एकवचन; कर्मधारयः (महान् उत्सवः यस्याः/या) — ‘having great festivities’ (as city-description)

• लसत्: shining
• लसत्: Viśeṣaṇa (विशेषण)
• Type: Adjective
• Root: √लस् (धातु)
• Form: वर्तमानकृदन्त (शतृ), नपुंसकलिङ्ग/पुंलिङ्ग-प्रातिपदिकरूपेण; ‘shining’

• केतु: banner/flag
• केतु: —
• Type: Noun
• Root: केतु (प्रातिपदिक)
• Form: पुंलिङ्ग, प्रातिपदिक (समासाङ्ग)

• ध्वज: standard/flag
• ध्वज: —
• Type: Noun
• Root: ध्वज (प्रातिपदिक)
• Form: पुंलिङ्ग, प्रातिपदिक (समासाङ्ग)

• तोरण: archway
• तोरण: —
• Type: Noun
• Root: तोरण (प्रातिपदिक)
• Form: नपुंसकलिङ्ग, प्रातिपदिक (समासाङ्ग)

• काधिका: abounding/exceeding (in)
• काधिका: Viśeṣaṇa (विशेषण)
• Type: Adjective
• Root: अधिक (प्रातिपदिक)
• Form: स्त्रीलिङ्ग, प्रथमा एकवचन; ‘अधिका’ (more/exceeding); initial क- is sandhi from preceding -a (…तोरण + अधिका)

• वितान: canopy
• वितान: —
• Type: Noun
• Root: वितान (प्रातिपदिक)
• Form: नपुंसकलिङ्ग, प्रातिपदिक (समासाङ्ग)

• विनिवृत्त: obscured/turned away
• विनिवृत्त: Viśeṣaṇa (विशेषण)
• Type: Adjective
• Root: विनिवृत्त (कृदन्त; √वृत् धातु)
• Form: भूतकृदन्त (क्त); ‘turned back/obscured’ (as modifier in compound)

• अर्का: sun
• अर्का: —
• Type: Noun
• Root: अर्क (प्रातिपदिक)
• Form: पुंलिङ्ग, प्रथमा एकवचन; ‘sun’ (in compound: ‘sunlight’)

• तथा: also
• तथा: Sambandha (सम्बन्ध/समुच्चय)
• Type: Indeclinable
• Root: तथा (अव्यय-प्रातिपदिक)
• Form: अव्यय; अव्यय-प्रकारः—समुच्चय/उपमान (also/likewise)

• नाना: various
• नाना: Viśeṣaṇa (विशेषण)
• Type: Adjective
• Root: नाना (अव्यय/विशेषण-प्रातिपदिक)
• Form: अव्ययवत् विशेषणम्; ‘various/many kinds of’

• लसत्: shining
• लसत्: Viśeṣaṇa (विशेषण)
• Type: Adjective
• Root: √लस् (धातु)
• Form: वर्तमानकृदन्त (शतृ); ‘shining’ (compound-member)

• प्रभा: splendour/light
• प्रभा: Karta (कर्ता)
• Type: Noun
• Root: प्रभा (प्रातिपदिक)
• Form: स्त्रीलिङ्ग, प्रथमा एकवचन

Speaker

Suta Goswami

Shaiva Theology

Tattva Level: pati

Shiva Form: Umāpati

Jyotirlinga Context

Sthala Purana: The description of mahotsava, toraṇas, dhvajas, and vitānas matches the standard Purāṇic/Āgamic festival grammar used in many kṣetra-māhātmyas; it is a generalized utsava-visual rather than a specific Jyotirliṅga legend.

Significance: Encourages devotees to conceive worship as joyful utsava-sevā—beautifying the sacred space as an offering; such bhāva is treated as merit-generating and mind-purifying.

Shakti Dimension

Shakti Form: Pārvatī

Role: nurturing

Ritual Elements

Offering: dipa

Cosmic Context

Cosmic Event: Utsava illumination imagery (nānā-lasat-prabhā) suggests a liminal festive time—often evening—when lamps and radiance dominate.

Characters & Entities

• Parvati
• Shiva

FAQs

What is the spiritual significance of this verse in the Shiva Purana?

The verse highlights how an outer sacred atmosphere—festive arches, flags, canopies, and radiance—supports inner devotion, preparing the mind for reverent remembrance of Śiva and Śakti in a sattvic, worshipful mood.

How does this verse relate to the worship of the Linga or Saguna Shiva?

Such descriptions align with saguna-upāsanā: devotees honor Shiva’s manifest presence through visible auspicious signs (dhvaja, toraṇa, lights), transforming space into a consecrated setting for pūjā, darśana, and linga-worship.

What ritualistic or meditative practice is suggested here?

It suggests utsava-sevā—cleaning and decorating the worship area, lighting lamps (dīpa), and maintaining a calm, shaded, orderly environment—supporting japa of “Om Namaḥ Śivāya” and focused pūjā.