अयोध्यानगरवर्णनम्
Description of Ayodhya and the Ikshvaku Royal Setting
वधूनाटकसङ्घैश्च संयुक्तां सर्वत: पुरीम् ।उद्यानाम्रवणोपेतां महतीं सालमेखलाम् ।।।।
vadhūnāṭakasaṅghaiś ca saṁyuktāṁ sarvataḥ purīm | udyānāmravaṇopetāṁ mahatīṁ sālamekhalām ||
وہ عظیم نگری ہر سمت سے وधूؤں کے ناٹک و رقص کے جتھوں سے بھری ہوئی تھی؛ باغوں اور آم کے جھنڈوں سے آراستہ تھی، اور یوں پھیلی ہوئی تھی گویا سال کے درختوں کی پٹی نے اسے کمر بند کر رکھا ہو۔
The city with suburban towns on all sides had several female dancers and actors.It was filled with gardens and mango-groves. And girdled by sal trees.
Dharma in society includes well-being and refinement: arts and a well-tended environment indicate a harmonious civic life under righteous governance.
The narrator depicts the city’s cultural vibrancy and natural abundance as marks of an ideal capital.
The implied royal virtue is patronage and care—supporting arts and maintaining a flourishing, livable city.
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