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Shloka 12

Teaching of Karma-yoga

Student Conduct, Vedic Study, and Gāyatrī Supremacy

वर्जयेत्सन्निधौ नित्यमंगस्फोटनमेव च । यथाकालमधीयीत यावन्न विमना गुरुः

varjayetsannidhau nityamaṃgasphoṭanameva ca | yathākālamadhīyīta yāvanna vimanā guruḥ

استاد کی موجودگی میں ہمیشہ اعضا چٹخانا یا بدن کو کڑکانا ترک کرو۔ مناسب وقت پر مطالعہ کرو، جب تک گرو کا دل ناخوش نہ ہو۔

varjayetshould avoid
varjayet:
Kriyā (क्रिया)
TypeVerb
Rootvṛj / varj (धातु; √वर्ज्)
FormOptative/vidhi-liṅ (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन); Parasmaipada (परस्मैपद)
sannidhauin the presence
sannidhau:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootsannidhi (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Locative (7th/सप्तमी), Singular (एकवचन)
nityamalways
nityam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootnitya (प्रातिपदिक)
FormAdverbial accusative (क्रियाविशेषण-रूपेण द्वितीया एकवचन)
aṅga-sphoṭanamcracking/stretching the limbs
aṅga-sphoṭanam:
Karma (कर्म)
TypeNoun
Rootaṅga (प्रातिपदिक) + sphoṭana (प्रातिपदिक)
FormTatpuruṣa (षष्ठी-तत्पुरुष: ‘of the limbs’), Neuter (नपुंसकलिङ्ग), Accusative (2nd/द्वितीया), Singular (एकवचन)
evaindeed/just
eva:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rooteva (अव्यय)
FormEmphatic particle (अवधारण-अव्यय)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
FormConjunction (समुच्चय-अव्यय)
yathā-kālamat the proper time
yathā-kālam:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootyathā (अव्यय) + kāla (प्रातिपदिक)
FormAvyayībhāva (अव्ययीभाव: ‘according to time’), adverbial usage
adhīyītashould study/recite
adhīyīta:
Kriyā (क्रिया)
TypeVerb
Rootadhi-√i (धातु; अधि+√इ) / adhī (धातु)
FormOptative/vidhi-liṅ (विधिलिङ्), 3rd person (प्रथमपुरुष), Singular (एकवचन); Ātmanepada (आत्मनेपद)
yāvatuntil/as long as
yāvat:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootyāvat (अव्यय)
FormCorrelative particle (यावत्…तावत्-प्रयोगे), here ‘until/as long as’
nanot
na:
Sambandha (सम्बन्ध/particle)
TypeIndeclinable
Rootna (अव्यय)
FormNegation particle (निषेध-अव्यय)
vimanāḥdispleased
vimanāḥ:
Karta (कर्ता) (predicate adjective to guruḥ)
TypeAdjective
Rootvimanā (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन); adjective meaning ‘displeased’
guruḥthe teacher
guruḥ:
Karta (कर्ता)
TypeNoun
Rootguru (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Nominative (1st/प्रथमा), Singular (एकवचन)

Unspecified (narrative instruction within Svarga-khaṇḍa; traditional dialogue context often framed by Pulastya instructing Bhīṣma in the Padma Purāṇa)

Concept: Śāstra is received through proper time, posture, and restraint; avoid distracting habits and study so the guru’s mind remains pleased (prasanna).

Application: Keep the learning space distraction-free; avoid fidgeting, cracking knuckles, or casual gestures; follow a consistent study schedule; prioritize the teacher’s comfort and clarity.

Primary Rasa: shanta

Visual Art Cues: {"scene_description":"A disciple sits poised, resisting the urge to fidget, hands resting calmly on knees while the guru recites measured syllables. The air feels charged with quiet concentration; the guru’s slight frown at a small distraction becomes a warning that learning depends on harmony of minds.","primary_figures":["Guru (ācārya)","Disciple (śiṣya)"],"setting":"Gurukula veranda with a low desk, ink pot, palm-leaf bundles, and a small bell; a shaded courtyard beyond.","lighting_mood":"forest dappled","color_palette":["sage green","ochre","smoke gray","vermillion","copper brown"],"tanjore_prompt":"Tanjore painting style: guru with gold-leaf halo seated on ornate āsana, disciple in disciplined stillness, hands calm (no limb-cracking), manuscripts and stylus displayed; rich vermillion and emerald tones, heavy jewelry minimal to keep ascetic mood, decorative arch framing the sanctified teaching space.","pahari_prompt":"Pahari miniature style: shaded veranda with dappled light, guru reciting, disciple attentive and motionless; delicate linework, soft textiles, muted mountain-like palette, a small tulasī pot at the edge as a Vaishnava hint.","kerala_mural_prompt":"Kerala mural style: stylized eyes and bold outlines—guru’s composed authority, disciple’s restrained posture; warm yellow-red background, green accents, lamp and manuscript motifs simplified into iconic forms.","pichwai_prompt":"Pichwai cloth painting style: central teaching scene framed by lotus creepers and peacock-feather borders; subtle Vaishnava shrine element (śālagrāma on pedestal), deep blue ground with gold highlights, emphasizing disciplined devotion."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["tanpura drone","soft hand bell at lesson start","rustle of leaves","distant birds","measured breathing"]}

Sandhi Resolution Notes: varjayet sannidhau → varjayetsannidhau; nityam aṅga- → nityamaṅga-; sphoṭanam eva → sphoṭanameva; yathā-kālam adhīyīta → yathākālamadhīyīta; yāvat na → yāvanna

G
Guru

FAQs

It advises avoiding casual, disrespectful bodily gestures like cracking one’s limbs (e.g., knuckles/joints) while near the teacher, emphasizing attentive decorum.

It instructs studying at the appropriate time and in a manner that keeps the guru pleased—highlighting punctuality, restraint, and receptivity as part of learning.

Learning is not only about content but also about character: humility, respect for the teacher, and self-control are treated as essential components of education.