निष्ठुरं दुर्धरं दुष्टं दोषत्रयविदूषितम् । अशुचितापि दुर्गंधि तापत्रयविमोहितम्
niṣṭhuraṃ durdharaṃ duṣṭaṃ doṣatrayavidūṣitam | aśucitāpi durgaṃdhi tāpatrayavimohitam
یہ ظالم، قابو میں نہ آنے والا اور بدکار ہے—تینوں عیبوں سے آلودہ ہے۔ اگرچہ ناپاک ہے، یہ بدبودار ہے اور تین قسم کی مصیبتوں میں مبتلا ہے۔
Unspecified (context needed from surrounding verses to attribute confidently, often within a Purāṇic dialogue frame).
Concept: The embodied condition is hard to restrain, impure, and deluded by the threefold miseries; therefore one should seek a higher shelter and discipline.
Application: Adopt a simple restraint practice: reduce one indulgence, add one act of devotion daily (nāma-japa, offering water/flower to Viṣṇu), and observe how the mind becomes more governable.
Primary Rasa: bibhatsa
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A restless, shadowed figure struggles to hold three writhing cords labeled as the ‘three doṣas,’ while above swirl three storm-clouds symbolizing tāpa-traya. A calm Viṣṇu presence—chakra and conch glowing—casts a stabilizing light that quiets the cords and clears the clouds, suggesting bhakti as the true restraint.","primary_figures":["Central struggling seeker","Allegorical doṣa-traya as three cords/serpents","Allegorical tāpa-traya as three storm-clouds","Viṣṇu (or his symbols: chakra, shankha) as pacifying radiance"],"setting":"Symbolic inner landscape: a darkened courtyard of the mind with a threshold leading into a bright temple sanctum.","lighting_mood":"divine radiance","color_palette":["midnight blue","storm gray","acid green (subtle)","saffron gold","pearl white"],"tanjore_prompt":"Tanjore painting style: Viṣṇu enthroned in a small sanctum with heavy gold leaf halo; foreground seeker bound by three stylized serpentine cords (doṣa-traya) and three cloud emblems (tāpa-traya) above; gold leaf used to ‘burn away’ the clouds, rich reds/greens, ornate borders, gem-like highlights.","pahari_prompt":"Pahari miniature style: psychological allegory—seeker in a dim courtyard, three translucent clouds overhead, three cords at the feet; a distant temple doorway emits soft light with Viṣṇu’s symbols; cool blues and grays with warm saffron glow, delicate brushwork, refined facial emotion shifting from distress to calm.","kerala_mural_prompt":"Kerala mural style: iconic composition with bold outlines—Viṣṇu aura at top, seeker below, three clouds and three serpents arranged symmetrically; strong red/yellow/green palette, temple-wall ornamentation, lotus-and-conch border motifs.","pichwai_prompt":"Pichwai cloth painting style: central medallion of Viṣṇu’s chakra-shankha radiance; surrounding ring shows three clouds dissolving into lotus petals and three serpents transforming into garlands; intricate floral borders, deep blues with gold highlights, devotional symmetry."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Yaman","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["tanpura drone","soft conch (single)","temple bells (faint)","silence between lines"]}
Sandhi Resolution Notes: अशुचितापि = अशुचिता + अपि; दोषत्रयविदूषितम् = दोष + त्रय + विदूषितम्; तापत्रयविमोहितम् = ताप + त्रय + विमोहितम्.
Tāpa-traya is the classic triad of suffering: ādhyātmika (internal—body/mind), ādhibhautika (external—other beings/environment), and ādhidaivika (cosmic/divine forces). The verse says the subject is bewildered by these pressures.
Doṣa-traya can denote the Ayurvedic triad (vāta, pitta, kapha) or a contextual triad of defects. Without adjacent verses, the safest reading is “a triad of faults,” while noting the common Ayurvedic resonance.
It portrays a condition (often read as an untrained mind or corrupt disposition) as cruel, uncontrolled, impure, and deluded—implying that restraint, purification, and clarity are necessary to overcome suffering and moral degeneration.