Shloka 188
Genealogy of the Ancestors (Pitṛs) and the Procedure of Śrāddha
ततो मातामहा राजन्विश्वेदवास्तथैव च । प्रदक्षिणोपचारेण दध्यक्षतफलोदकैः
tato mātāmahā rājanviśvedavāstathaiva ca | pradakṣiṇopacāreṇa dadhyakṣataphalodakaiḥ
پھر، اے بادشاہ، نانا اور اسی طرح وِشویدیوؤں کی بھی پردکشن اور اُپچار کے ساتھ—دہی، اَکشت (سالم چاول)، پھل اور پانی کی نذر دے کر—تعظیم کی گئی۔
Uncertain from single-verse context (likely a narrator addressing a king within the Sṛṣṭikhaṇḍa dialogue frame).
Concept: Honoring pitṛs and divine collectives through proper upacāra sustains auspiciousness and social-cosmic harmony (ṛṇa-traya awareness).
Application: Practice gratitude: remember elders/ancestors, offer simple sattvic items (water, fruit) with respectful circumambulation and prayer; keep rituals non-exploitative and sincere.
Primary Rasa: shanta
Secondary Rasa: karuna
Visual Art Cues: {"scene_description":"A king stands with folded hands beside a low ritual altar, while a learned priest guides him in a serene śrāddha setting. Offerings of curd, akṣata, fruits, and a shining water vessel are arranged in orderly rows as the king performs pradakṣiṇā with calm focus.","primary_figures":["a king (yajamāna)","a Brahmin priest","Pitṛs (subtle ancestral presence)","Viśvedevās (subtle celestial presence)"],"setting":"A clean courtyard near a sacred household fire-altar, with kusa grass, offering plates, and a water pot; faint celestial motifs above.","lighting_mood":"temple lamp-lit","color_palette":["sandalwood beige","lotus pink","gold leaf","deep maroon","river-silver"],"tanjore_prompt":"Tanjore painting style: a royal yajamāna performing pradakṣiṇā around a small śrāddha altar, priest seated with palm-leaf text, offerings of curd bowl, akṣata, fruits, and a kalasha; heavy gold leaf halos for subtle Viśvedevās above, rich reds and greens, gem-studded ornaments, traditional South Indian iconography, ornate arch frame.","pahari_prompt":"Pahari miniature style: a quiet palace courtyard ritual with delicate brushwork; the king in pale saffron shawl circles the altar, priest in white dhoti; small bowls of dadhि, akṣata, fruits, and water; soft pastel sky with faint Viśvedevā silhouettes, refined faces, lyrical naturalism, thin lines and cool shadows.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; the king and priest near a stylized altar with offering vessels; symbolic Viśvedevās in the upper register; warm red/yellow/green palette, large expressive eyes, temple-wall aesthetic, patterned borders with lotus and kusa motifs.","pichwai_prompt":"Pichwai cloth painting style: devotional courtyard scene framed by intricate floral borders and lotus motifs; offerings arranged symmetrically; subtle celestial band of Viśvedevās above; deep blues and gold accents, ornate textile-like detailing, peacocks at the border corners, Nathdwara-inspired composition even though the subject is śrāddha."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["soft temple bells","low Vedic chanting drone","water poured into a vessel","gentle courtyard silence"]}
Sandhi Resolution Notes: राजन्विश्वेदवाः → राजन् + विश्वेदवाः; तथैव → तथा + एव; प्रदक्षिणोपचारेण (समास); दध्यक्षतफलोदकैः → दधि + अक्षत + फल + उदकैः (समाहार-द्वन्द्व), दधि+अक्षत → दध्यक्षत (यण्-सन्धि)
FAQs
The Viśvedevās are a collective group of Vedic deities often invoked together; here they are recipients of honor alongside an ancestral figure.
It indicates honoring through respectful circumambulation (pradakṣiṇā) as a formal mode of reverential service (upacāra).
It highlights reverence—showing respect to divine beings and elders/ancestors through orderly, humble ritual hospitality and simple, pure offerings.