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Shloka 44

Pṛthu’s Earth-Milking, the Etymology of ‘Pṛthivī,’ and the Vaivasvata (Solar) Genealogy

सवर्णत्वाच्च सावर्णेर्मनोर्वैवस्वतस्य तु । ततः सुतां च तपतीं त्वाष्ट्रीं चैव क्रमेण तु

savarṇatvācca sāvarṇermanorvaivasvatasya tu | tataḥ sutāṃ ca tapatīṃ tvāṣṭrīṃ caiva krameṇa tu

ہم نسب و ہم طبقہ ہونے کے سبب وہ ویوسوت منو کے بیٹے ساورنِی منو کو دی گئی۔ پھر ترتیب کے مطابق اس نے تپتی نامی دختر اور نیز تواشٹری سے بھی نکاح کیا۔

सवर्णत्वात्because of sameness (of form)
सवर्णत्वात्:
Hetu (Cause/हेतु)
TypeNoun
Rootसवर्णत्व (प्रातिपदिक; भाव)
Formनपुंसकलिङ्ग, पञ्चमी (5), एकवचन; हेतुवाचक (because of sameness)
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
सावर्णेःof Sāvarṇi
सावर्णेः:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootसावर्णि (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6), एकवचन
मनोःof Manu
मनोः:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootमनु (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6), एकवचन
वैवस्वतस्यof Vaivasvata
वैवस्वतस्य:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootवैवस्वत (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी (6), एकवचन
तुindeed
तु:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; विरोध/विशेषार्थक निपात (but/indeed)
ततःthereafter
ततः:
Apadana (Source/अपादान)
TypeIndeclinable
Rootततः (अव्यय)
Formअव्यय; अपादान/क्रमवाचक (thereafter/from that)
सुताम्a daughter
सुताम्:
Karma (Object/कर्म)
TypeNoun
Rootसुत (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2), एकवचन
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
तपतीम्Tapatī
तपतीम्:
Karma (Object/कर्म)
TypeNoun
Rootतपती (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2), एकवचन; विशेषनाम
त्वाष्ट्रीम्Tvāṣṭrī
त्वाष्ट्रीम्:
Karma (Object/कर्म)
TypeNoun
Rootत्वाष्ट्री (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2), एकवचन; विशेषनाम
and
:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चयबोधक अव्यय
एवindeed
एव:
Sambandha (Emphasis/सम्बन्ध)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारण (emphasis)
क्रमेणin sequence
क्रमेण:
Karana (Manner/करण)
TypeNoun
Rootक्रम (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया (3), एकवचन; प्रकार/रीतिवाचक (in order)
तुindeed
तु:
Sambandha (Particle/सम्बन्ध)
TypeIndeclinable
Rootतु (अव्यय)
Formअव्यय; निपात (indeed)

Unspecified narrator (contextual Purāṇic narration within Sṛṣṭikhaṇḍa)

Concept: Social-cosmic order is maintained through appropriate alliances and succession; ‘savarṇatva’ signals continuity of varṇa/lineage norms in mythic polity.

Application: Respect ethical boundaries and responsibilities in relationships; consider long-term consequences of alliances and commitments.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A scroll-like panorama of royal-celestial genealogy unfolds: figures stand in ordered pairs beneath stylized sun emblems, indicating marriages ‘in due sequence.’ Tapatī appears as a radiant maiden with a heat-haze aura, while Tvāṣṭrī bears subtle artisan symbols—tools and a luminous forge-like glow—signaling her divine provenance.","primary_figures":["Sāvarṇi Manu","Vaivasvata lineage figures (implied)","Tapatī","Tvāṣṭrī"],"setting":"celestial genealogical hall with painted lineage panels and sun-disc standards","lighting_mood":"temple lamp-lit","color_palette":["antique gold","burnt sienna","saffron orange","peacock blue","smoke gray"],"tanjore_prompt":"Tanjore painting style: genealogical tableau with multiple paired figures under ornate arches; Tapatī glowing with sun-like aureole, Tvāṣṭrī with subtle forge motifs; gold leaf borders, rich reds/greens, gem-studded ornaments, formal symmetry like a sacred family icon.","pahari_prompt":"Pahari miniature style: narrative register painting—figures arranged in horizontal bands; delicate textiles, refined faces; Tapatī shown with warm radiance, Tvāṣṭrī with cool metallic accents; palace interior with soft pastel architecture and lyrical spacing.","kerala_mural_prompt":"Kerala mural style: bold outlines and flat fields; lineage figures in ordered sequence; Tapatī in bright orange-yellow aura, Tvāṣṭrī with stylized artisan emblems; mural symmetry and temple-wall feel.","pichwai_prompt":"Pichwai cloth painting style: decorative genealogical mandala—sun-disc at center, lotus petals containing paired figures; Tapatī and Tvāṣṭrī highlighted in larger petals; intricate floral borders, deep blues and gold, ornamental storytelling."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Bhupali","pace":"moderate-narrative","voice_tone":"serene","sound_elements":["tanpura drone","soft cymbals","page-turning/scroll-unfurling ambience (subtle)","distant temple bell"]}

Sandhi Resolution Notes: सवर्णत्वाच्च = सवर्णत्वात् + च; सावर्णेर्मनोर्वैवस्वतस्य = सावर्णेः + मनोः + वैवस्वतस्य; चैव = च + एव।

S
Sāvarṇi
V
Vaivasvata Manu
T
Tapatī
T
Tvāṣṭrī (Tvāṣṭrī)

FAQs

Sāvarṇi is referenced as connected to Vaivasvata Manu’s line; the verse notes a marital connection based on “savarṇatva” (sameness of varṇa/lineage).

It indicates compatibility or sameness of social class/lineage (varṇa or familial grouping), presented as the reason for a particular marriage arrangement.

Genealogical: it records succession/marital order and names (Sāvarṇi, Tapatī, Tvāṣṭrī) as part of Purāṇic dynastic narration in the Sṛṣṭikhaṇḍa.