Shloka 110
The Jyeṣṭha Full-Moon Vow, the Birth of the Maruts, and the Outline of Secondary Creation
Manvantaras
भविष्यस्यार्कसावर्णेर्मनोः पुत्राः प्रकीर्तिताः । रौच्यादयस्तथान्येपि मनवः संप्रकीर्तिताः
bhaviṣyasyārkasāvarṇermanoḥ putrāḥ prakīrtitāḥ | raucyādayastathānyepi manavaḥ saṃprakīrtitāḥ
بھویشیہ نامی آرکساؤرنی منو کے بیٹے بیان کیے گئے ہیں؛ اسی طرح راؤچیہ وغیرہ دیگر منو بھی باقاعدہ طور پر شمار کر کے بیان کیے گئے ہیں۔
Unspecified (narrative voice within the genealogical/cosmic enumeration in Sṛṣṭikhaṇḍa)
Concept: Even the future is held within dharmic structure—Manus arise in sequence with named progeny; cosmic continuity is not random but patterned.
Application: Plan with humility: align long-term goals with dharma; accept change as cyclical and purposeful; cultivate steadiness amid transitions.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A grand cosmic timeline unfurls like a river of light, with ‘Ārkasāvarṇi’ and ‘Raucya’ appearing as luminous name-constellations along its course. Below, symbolic sons of Manu stand as silhouettes emerging from a lotus of time, while a distant Vishnu-like radiance steadies the entire panorama.","primary_figures":["Manu Ārkasāvarṇi (symbolic)","Bhaviṣya (as progenitor reference)","Future Manus beginning with Raucya (symbolic)","Vishnu as sustaining radiance"],"setting":"Celestial expanse with a time-river and lotus-constellations; minimal earthly detail to emphasize futurity.","lighting_mood":"divine radiance","color_palette":["midnight blue","starlight silver","sun-gold","lotus magenta","soft white"],"tanjore_prompt":"Tanjore painting style: a vertical cosmic composition with a glowing time-scroll, names rendered as ornate script, Vishnu’s radiance crowning the scene, gold leaf heavily used for the time-river and halos, rich jewel tones, symmetrical framing with lotus pillars.","pahari_prompt":"Pahari miniature style: a poetic night-sky with constellations forming the future Manu names, delicate gradients, refined figures emerging from a lotus, cool blues and silvers with subtle gold highlights, airy negative space.","kerala_mural_prompt":"Kerala mural style: concentric time bands with bold outlines, stylized lotus of time at center, future Manus as icon-like figures, strong red-yellow-green with blue field, temple mural symmetry and decorative borders.","pichwai_prompt":"Pichwai cloth painting style: a mandala of time with lotus petals labeled as Manus, intricate floral borders, deep indigo cloth base, gold detailing for constellations, central luminous lotus representing succession, ornamental fillers and rhythmic patterning."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"serene","sound_elements":["tanpura drone","soft conch in distance","wind-like hush","single bell at key names"]}
Sandhi Resolution Notes: भविष्यस्य + अर्कसावर्णेः + मनोः → भविष्यस्यार्कसावर्णेर्मनोः; अन्ये + अपि → अन्येपि; संप्रकीर्तिताः (सम्+प्र+कीर्त्+त).
FAQs
It continues a cosmological enumeration, stating that the sons of the Manu Ārkasāvarṇi (Bhaviṣya) are declared, and that other Manus beginning with Raucya are also listed.
Not directly; it is primarily genealogical/cosmological, supporting the Purāṇic framework of manvantaras and successive Manus rather than prescribing a practice.
It reinforces the Purāṇic view of ordered cosmic time—history unfolding through recurring cycles (manvantaras) governed by successive Manus.