Shloka 53
The Glory of Dhātrī (Āmalakī) and Tulasī: Ekādaśī Observance and Protection from Preta States
छिद्रान्वेषपरा ये च द्विजानां कर्मघातिनः । तथैव च गुरूणां च ते प्रेताश्चापुनर्भवाः
chidrānveṣaparā ye ca dvijānāṃ karmaghātinaḥ | tathaiva ca gurūṇāṃ ca te pretāścāpunarbhavāḥ
جو عیب جوئی میں لگے رہتے ہیں، برہمنوں کے فرائض میں رکاوٹ ڈالتے ہیں، اور اسی طرح اپنے گروؤں کو نقصان پہنچاتے ہیں—وہ پریت بن جاتے ہیں اور انہیں دوبارہ جنم نصیب نہیں ہوتا۔
Not specified in the provided excerpt (context needed from surrounding verses).
Concept: Malicious fault-finding and obstructing brāhmaṇic duties, and harming one’s guru, lead to preta-state and spiritual dead-end (apunarbhava as a punitive condition).
Application: Avoid nitpicking and sabotage; support teachers and sincere practitioners; practice constructive speech and service to mentors.
Primary Rasa: raudra
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A tense scene shows a jealous critic lurking at the edge of a sacrificial rite, pointing out ‘flaws’ with a sneer while subtly disrupting the brāhmaṇas’ work. Behind him stands a luminous guru figure, and the critic’s shadow stretches into a preta-like silhouette, hinting at the karmic transformation caused by guru-droha and dharma-vighna.","primary_figures":["brāhmaṇas performing rites","a fault-finding antagonist","a guru/ācārya figure","incipient preta-shadow"],"setting":"Ritual courtyard near an āśrama with yajña-vedi, ladles, and mantra scrolls","lighting_mood":"temple lamp-lit","color_palette":["lamp gold","smoke blue","earth brown","maroon","pale ash"],"tanjore_prompt":"Tanjore painting style: ritual scene with brāhmaṇas at a yajña-vedi, a dark-clad fault-finder at the margin, and a radiant guru with gold halo; gold leaf flames, jewel-toned garments, ornate arch frame, expressive contrast between luminous dharma and shadowy malice.","pahari_prompt":"Pahari miniature style: refined courtyard with delicate architecture, subtle facial expressions—serene priests, stern guru, sly critic; cool palette with warm lamp accents, fine detailing of ritual implements and creeping shadow forming a preta outline.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized yajña fire, guru with large expressive eyes, antagonist with darker tones; strong red/yellow/green pigments, symmetrical composition with narrative clarity.","pichwai_prompt":"Pichwai cloth painting style: moral tableau framed by lotus and tulasi borders; central ritual scene, side panels showing guru-sevā vs guru-droha; deep indigo background, gold floral filigree, peacocks perched above as witnesses."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["fire-crackle","murmured mantra","sharp bell strike","sudden hush"]}
Sandhi Resolution Notes: छिद्रान्वेषपरा = छिद्र-अन्वेष-पराः; प्रेताश्च = प्रेताः च; चापुनर्भवाः = च अपुनर्भवाः
FAQs
It condemns habitual fault-finding (chidra-anveṣa) and actively obstructing the rightful duties of Brahmins, as well as harming or betraying one’s teachers (gurus).
The verse states that such persons become pretas—restless, afflicted post-death beings—and are described as apunarbhava, i.e., they do not obtain normal rebirth.
It teaches restraint in speech and intention (avoiding malicious criticism), respect for dharmic duties, and reverence toward teachers—since undermining sacred responsibilities and guru-relationships is treated as a grave moral failure.