Shloka 27
Narrative of the Śūdra’s Renunciation of Greed
with the Tulādhāra Greatness Prelude
सदापि लाभविरहो न परस्वं गृहीतवान् । तस्य जिज्ञासयैवाहं गृहीत्वा वस्त्रयुग्मकम्
sadāpi lābhaviraho na parasvaṃ gṛhītavān | tasya jijñāsayaivāhaṃ gṛhītvā vastrayugmakam
اگرچہ وہ ہمیشہ نفع سے محروم رہا، پھر بھی اس نے کبھی دوسرے کا مال نہ لیا۔ اس کی آزمائش اور حقیقت جاننے کے لیے میں نے خود ایک جوڑا کپڑے اٹھا لیا۔
Unspecified (a first-person narrator within the Adhyaya’s dialogue context)
Concept: Even in constant lack, one must not take another’s property; virtue is tested by scarcity, not comfort.
Application: When under stress, keep strict boundaries: do not ‘borrow’ without consent, avoid unethical shortcuts, and treat integrity as worship; create accountability in finances and workplace conduct.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A hidden divine tester, disguised as a traveler, quietly lifts a pair of worn garments from a poor ascetic’s hut. The ascetic notices the loss yet remains composed, his palms joined in restraint, while the tester watches for any flicker of anger or grasping.","primary_figures":["austere devotee/ascetic","divine tester (disguised sage/deva)"],"setting":"a small mud hut with a reed mat, a hanging cloth line, a simple begging bowl; sparse village outskirts","lighting_mood":"forest dappled","color_palette":["dusty umber","leaf green","faded white","deep brown","soft amber"],"tanjore_prompt":"Tanjore painting style: two-figure moral drama—ascetic in calm posture, disguised tester holding the cloth; gold leaf used for subtle divine hints (aura, ornaments barely visible); rich red-green borders, stylized hut interior, traditional symmetry with narrative panels.","pahari_prompt":"Pahari miniature style: intimate hut scene with delicate textiles and gentle expressions; the tester’s face slightly enigmatic; cool shadows and refined linework; minimalism emphasizing ethical tension.","kerala_mural_prompt":"Kerala mural style: bold outlines, expressive eyes; the tester’s divinity suggested by a faint halo; earthy reds and yellows with green accents; mural-like framing with ornamental vines.","pichwai_prompt":"Pichwai cloth painting style: central figures framed by floral borders; garments depicted as symbolic ‘objects of attachment’ turning into lotus motifs at the edges; deep blue background with gold detailing, devotional narrative composition."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low temple drum (mridang-like)","rustle of cloth","brief silence","distant conch"]}
Sandhi Resolution Notes: जिज्ञासया + एव + अहम् → जिज्ञासयैवाहं
FAQs
It highlights the dharmic vow of non-stealing: even in poverty or lack of gain, one should not take another’s property.
The act is described as a deliberate test—done out of curiosity or a desire to ascertain the person’s character and commitment to righteousness.
In this standalone verse, the focus is primarily ethical (dharma) rather than tīrtha geography or explicit bhakti theology; its lesson supports the moral foundation that purāṇic narratives often assume.