The Five Great Sacrifices: Supremacy of Honoring Parents, Pativrata Dharma, Truthfulness, and Śrāddha
कामाल्लोभात्तथाक्रोधान्नित्यं सत्त्वेषु जायते । संसारबंधकः कामो ह्यकामो न क्वचिद्भवेत्
kāmāllobhāttathākrodhānnityaṃ sattveṣu jāyate | saṃsārabaṃdhakaḥ kāmo hyakāmo na kvacidbhavet
خواہش، لالچ اور اسی طرح غصّے سے یہ ہر دم جانداروں میں پیدا ہوتا ہے۔ خواہش ہی سنسار کا بندھن ہے؛ دنیاوی وجود میں بے خواہشی کہیں نہیں ملتی۔
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Concept: Kāma—fed by lobha and krodha—functions as the binding rope of saṃsāra; in worldly existence, desire continually reappears.
Application: Track the chain: desire → greed → anger; interrupt it with remembrance of Vāsudeva, regulated vows (vrata), and sattvic habits (truthfulness, moderation, charity).
Primary Rasa: karuna
Secondary Rasa: shanta
Visual Art Cues: {"scene_description":"A human heart-lotus is shown bound by three serpentine cords labeled kāma, lobha, and krodha, tightening into a wheel of rebirth. Above the wheel, a faint, serene form of Nārāyaṇa appears like a refuge, suggesting that bondage is real yet escapable through higher orientation.","primary_figures":["Symbolic Jīva (human figure)","Personified Kāma","Personified Lobha","Personified Krodha","Vāsudeva/Nārāyaṇa (subtle, upper register)"],"setting":"Allegorical inner landscape: a mandala of saṃsāra with a revolving chakra, set against a twilight cosmic background.","lighting_mood":"twilight with a serene upper glow","color_palette":["deep maroon","burnt orange","midnight blue","pale gold","smoke white"],"tanjore_prompt":"Tanjore painting style: central heart-lotus bound by three embossed serpent-cords (kāma-lobha-krodha), saṃsāra-chakra beneath with miniature life-scenes; Nārāyaṇa above with radiant gold leaf halo, rich reds and greens, jewel-like ornaments, ornate arch frame.","pahari_prompt":"Pahari miniature style: delicate allegory—small figure caught in a turning wheel, three colored ribbons tightening; soft mountainous clouds and a calm Vishnu-form above; cool blues with warm saffron accents, refined facial features, lyrical negative space.","kerala_mural_prompt":"Kerala mural style: bold outlines, flat pigments; dramatic saṃsāra wheel with stylized flames; three thick bands labeled in Devanāgarī; Vishnu in upper corner with conch and discus, large eyes, dominant red/yellow/green palette.","pichwai_prompt":"Pichwai cloth painting style: circular saṃsāra mandala like a floral wheel; three vine-like cords entwining; upper border filled with lotus and tulasi motifs hinting bhakti; deep indigo ground, gold highlights, intricate symmetrical borders."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["single bell strokes","low mridang pulse","wind-like hush","brief conch at cadence"]}
Sandhi Resolution Notes: kāmāl = kāmāt; lobhāt; tathākrodhān = tathā + krodhāt; hyakāmo = hi + akāmaḥ; kvacidbhavet = kvacit + bhavet.
No. This verse is ethical-philosophical, describing how desire (kāma) arises from greed and anger and how it binds beings to saṃsāra.
Indirectly: it frames kāma as a source of bondage, implying the need to redirect desire away from sense-objects and toward disciplined spiritual life—often expressed in bhakti traditions as transforming desire into devotion for the Divine.
Guard against the chain of kāma–lobha–krodha: desire, greed, and anger reinforce each other and keep one bound to worldly cycles; restraint and inner discipline are implied as remedies.