Shloka 75
The Tale of the Five Pretas and the Glory of Puṣkara & the Eastern Sarasvatī
अंतरिक्षावतीर्णे तु तीर्थे पैतामहे शुभे । स्नानं येऽत्र करिष्यंति तेषां लोका महोदयाः
aṃtarikṣāvatīrṇe tu tīrthe paitāmahe śubhe | snānaṃ ye'tra kariṣyaṃti teṣāṃ lokā mahodayāḥ
آسمان سے اُترے ہوئے اس مبارک تیرتھ ‘پَیتامہ’ میں جو لوگ یہاں اشنان کریں گے، وہ عظیم عروج والے لوکوں کو پائیں گے—فراوانی اور بلند بختی کے ساتھ۔
Unspecified (narrative voice within the Adhyaya; not explicitly marked in the provided excerpt)
Concept: Snāna performed with faith at a consecrated tīrtha yields upliftment to higher realms (loka-prāpti) and prosperity.
Application: Approach sacred acts with inner cleanliness: truthfulness, restraint, and gratitude; treat pilgrimage as a vow of renewal rather than tourism.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: tirtha
Visual Art Cues: {"scene_description":"A luminous ford marked by a simple stone platform and a Brahmā-emblem banner, where a shaft of light seems to descend from the open sky into the water. Pilgrims step into the sacred pool with folded hands, while subtle celestial beings hover above, suggesting the ‘antarikṣa-avataraṇa’ (descent from the mid-sky).","primary_figures":["pilgrims","a tīrtha-priest","celestial gandharvas (subtle)","Brahmā (symbolic presence)"],"setting":"A quiet tīrtha-kunda/ford near Puṣkara with steps, banyan/peepal shade, and a small shrine","lighting_mood":"divine radiance","color_palette":["radiant white","sky blue","marigold orange","stone gray","turquoise"],"tanjore_prompt":"Tanjore painting style: Paitāmaha tīrtha with stepped ghāṭa and small Brahmā shrine, a vertical beam of divine light descending from the sky into the water, pilgrims bathing and offering arghya; ornate gold leaf on the light-beam, halos, and shrine arch; rich reds/greens with gem-like detailing.","pahari_prompt":"Pahari miniature style: serene ford under pale sky, delicate figures entering water, a soft luminous column from the heavens, minimal architecture, gentle ripples; cool palette, refined faces, lyrical naturalism.","kerala_mural_prompt":"Kerala mural style: stylized stepped pond, bold outlines, a bright descending aura, priest holding a lamp, celestial attendants in the upper register; natural pigments, temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: central sacred pond with lotus clusters, descending celestial aura at top center, devotees in symmetrical rows; ornate floral borders, deep blues and gold accents, Vaishnava auspicious motifs integrated into the frame."}
Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["flowing water","temple bells","soft conch","wind through leaves","brief silence after key phrases"]}
Sandhi Resolution Notes: अंतरिक्षावतीर्णे = अन्तरिक्ष + अवतीर्णे. येऽत्र = ये + अत्र.
FAQs
It reflects the Purāṇic mapping of India through named tīrthas, presenting certain sites—here, the Paitāmaha tīrtha—as places where divine power is believed to have “descended,” making ritual bathing especially efficacious.
By promising elevated spiritual outcomes through a simple devotional act—bathing at a sanctified place—it highlights faith-filled practice (śraddhā in tīrtha and rite) as a direct means to spiritual uplift.
The verse encourages purification and disciplined religious conduct: choosing auspicious places and performing purifying acts is portrayed as a way to cultivate merit, inner elevation, and a life aligned with dharma.