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Shloka 29

The Glory of Truthful Oaths and Keeping One’s Promise

Satya & Pratijñā

न ज्ञायते कुलं यस्य देशगोत्रधनं तथा । शीलं वयस्तस्य कन्या स्वजनैर्न च दीयते

na jñāyate kulaṃ yasya deśagotradhanaṃ tathā | śīlaṃ vayastasya kanyā svajanairna ca dīyate

جس شخص کا خاندان معلوم نہ ہو، اور جس کا وطن، گوتر اور مال بھی نامعلوم ہو، نیز جس کے اخلاق و عمر کا بھی پتہ نہ ہو—اپنے رشتہ دار اسے بیٹی نکاح میں نہیں دیتے۔

nanot
na:
Pratiṣedha (Negation)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेध-अव्यय (negation particle)
jñāyateis known
jñāyate:
Kriya (Action/क्रिया)
TypeVerb
Rootjñā (धातु)
Formलट्-लकार (Present), प्रथम-पुरुष (3rd person), एकवचन; आत्मनेपद; कर्मणि प्रयोग (passive)
kulamfamily/lineage
kulam:
Karta (Subject in passive/कर्ता)
TypeNoun
Rootkula (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
yasyawhose
yasya:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootyad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन; सम्बन्ध-सर्वनाम
deśagotradhanamcountry, clan, and wealth
deśagotradhanam:
Karta (Co-subject in passive/कर्ता)
TypeNoun
Rootdeśa + gotra + dhana (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन; इतरेतर-द्वन्द्व (deśa-gotra-dhana)
tathāalso
tathā:
Sambandha (Connector)
TypeIndeclinable
Roottathā (अव्यय)
Formसमुच्चय/तुल्यत्व-बोधक-अव्यय (also/likewise)
śīlamconduct/character
śīlam:
Karta (Co-subject in passive/कर्ता)
TypeNoun
Rootśīla (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
vayasage
vayas:
Karta (Co-subject in passive/कर्ता)
TypeNoun
Rootvayas (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
tasyaof him
tasya:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Roottad (सर्वनाम-प्रातिपदिक)
Formषष्ठी-विभक्ति (6th/Genitive), एकवचन; सर्वनाम
kanyāa daughter (in marriage)
kanyā:
Karta (Subject/कर्ता)
TypeNoun
Rootkanyā (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
svajanaiḥby one’s own people/relatives
svajanaiḥ:
Karaṇa (Agent/instrument in passive/करण)
TypeNoun
Rootsvajana (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), बहुवचन; समासः स्वे जनाः
nanot
na:
Pratiṣedha (Negation)
TypeIndeclinable
Rootna (अव्यय)
Formनिषेध-अव्यय (negation particle)
caand
ca:
Sambandha (Connector/सम्बन्ध)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
dīyateis given
dīyate:
Kriya (Action/क्रिया)
TypeVerb
Rootdā (धातु)
Formलट्-लकार (Present), प्रथम-पुरुष (3rd person), एकवचन; आत्मनेपद; कर्मणि प्रयोग (passive)

Not explicitly identifiable from the single verse (context needed from surrounding verses).

Concept: Marriage-giving (kanyā-dāna) requires due inquiry into character, lineage, and capacity; dharma is safeguarded by discernment.

Application: Before making binding commitments—marriage, partnership, vows—verify integrity, responsibility, and compatibility; protect dependents through informed decisions.

Primary Rasa: shanta

Secondary Rasa: karuna

Visual Art Cues: {"scene_description":"A courtyard of a traditional household where elders confer in hushed tones, weighing the unknown suitor’s origins. The maiden stands behind a lattice screen, while family members gesture toward genealogical scrolls and tokens of wealth, embodying cautious dharma.","primary_figures":["household elders (jñātayaḥ)","the maiden (kanyā)","an unknown suitor (anirdiṣṭa-puruṣa)"],"setting":"earthy domestic courtyard with carved pillars, palm-leaf records, and a small household shrine to Viṣṇu in the background","lighting_mood":"temple lamp-lit","color_palette":["sandalwood beige","deep maroon","bronze","indigo","smoke gray"],"tanjore_prompt":"Tanjore painting style: a South Indian domestic mandapa scene of elders debating kanyā-dāna eligibility, palm-leaf genealogies and ritual vessels in foreground, a small Viṣṇu shrine with gold-leaf halo in background, rich reds and greens, ornate jewelry, embossed gold detailing on pillars and textiles.","pahari_prompt":"Pahari miniature style: a refined courtyard conversation with delicate linework, elders seated on rugs, the maiden behind a jali screen, cool muted palette with lyrical architecture, subtle expressions of concern, distant trees and a small shrine niche.","kerala_mural_prompt":"Kerala mural style: bold outlined figures of elders and maiden in a household hall, stylized eyes and gestures, natural pigment reds/yellows/greens, a small Viṣṇu icon panel behind them, rhythmic decorative borders.","pichwai_prompt":"Pichwai cloth painting style: narrative vignette framed by floral borders and lotus motifs, household figures arranged symmetrically, a small central shrine to Viṣṇu, intricate textile patterns, deep blues and gold accents, peacocks perched on the border."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["low murmurs","temple bells (distant)","rustle of palm leaves","evening silence"]}

Sandhi Resolution Notes: svajanairna → svajanaiḥ + na (ḥ + n → r in external sandhi); overall verse uses passive jñāyate/dīyate with nominative subjects.

FAQs

It advises due diligence in marriage: a prospective groom’s family background, homeland, lineage, means, character, and age should be known before giving a daughter in marriage.

In traditional dharma literature, these indicate social identity and ethical reliability—kula/gotra for familial standing and śīla for moral character—used to assess suitability for marriage.

It is primarily practical and dharma-oriented, focusing on social ethics and norms surrounding marriage rather than devotion or cosmology.