Shloka 17
The Greatness of Worshiping Rādhā and Dāmodara
Kārttika Observances and Their Fruit
छित्त्वा जारकृते सापि संकेतस्य स्थलं गता । आगतं जारपुरुषं द्वीपिना भक्षितं द्विज
chittvā jārakṛte sāpi saṃketasya sthalaṃ gatā | āgataṃ jārapuruṣaṃ dvīpinā bhakṣitaṃ dvija
اپنے یار کی خاطر اس نے بھی (وہ کام کر کے) طے شدہ ملاقات گاہ کی طرف رخ کیا۔ مگر جب وہ زانی مرد آیا، اے برہمن، تو اسے چیتے نے کھا لیا۔
Unspecified (narratorial voice within the chapter’s dialogue context)
Concept: Adharma carries its own punishment; even carefully laid plans can be overturned by daiva (fate) as karma bears fruit through unexpected agents.
Application: Do not rely on secrecy; recognize that harmful schemes are unstable; choose transparent, dharmic action and seek atonement early.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: forest
Visual Art Cues: {"scene_description":"At a moonlit forest clearing marked as a secret rendezvous, the woman arrives breathless, clutching her shawl, eyes scanning the shadows. From the undergrowth, a leopard springs upon the arriving paramour—motion frozen in a dramatic arc—while the forest itself feels like a silent witness to karma.","primary_figures":["woman (anxious, complicit)","paramour (arriving)","leopard (instrument of fate)"],"setting":"forest edge near a dirt path, thorny shrubs, tall sal trees, a faint boundary stone indicating the ‘signal place’","lighting_mood":"forest dappled","color_palette":["moon-silver","jungle green","shadow violet","ochre earth","rust brown"],"tanjore_prompt":"Tanjore painting style: dynamic forest scene with gold leaf accents on moon and foliage highlights; leopard mid-leap with stylized musculature; the woman in ornate attire at the edge, hands raised in alarm; rich reds/greens, embossed decorative border framing the karmic reversal.","pahari_prompt":"Pahari miniature style: lyrical Himalayan-like forest rendering with delicate leaves; leopard attack depicted with controlled elegance; cool nocturnal palette; expressive faces—woman’s shock, paramour’s sudden fear; fine brushwork and spacious composition.","kerala_mural_prompt":"Kerala mural style: bold outlines, patterned forest backdrop, leopard rendered with stylized spots; strong contrast colors; narrative panel clarity with the woman placed to one side as witness to fate.","pichwai_prompt":"Pichwai cloth painting style: nocturnal indigo ground with intricate floral border; central action of leopard and paramour, surrounded by stylized vines and lotus motifs; gold detailing on moon and foliage; peacocks perched high, startled, to amplify suddenness."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["rustling leaves","leopard growl (subtle)","night wind","sudden drum accent"]}
Sandhi Resolution Notes: सापि = सा + अपि; जारकृते is a compound-like fixed expression ‘for the sake of X’; no further sandhi. अन्यत्र sandhi not prominent.
FAQs
It depicts a clandestine tryst and the sudden death of the adulterous lover, underscoring the Purāṇic theme that unethical desire can culminate in swift, tangible consequences.
‘Dvija’ (“twice-born”) is a respectful address to a brāhmaṇa or other initiated varṇa, indicating the verse is spoken to a learned listener within a dialogue frame.
The verse serves as a cautionary exemplum against adultery and reckless passion, presenting karmic retribution as operating through ordinary events (here, a predator attack).