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Shloka 3

Yayāti Ensnared by Desire: Gandharva Marriage, Aśvamedha, and the Demand to See the Worlds

ससर्पोसि महाराज भूतले चंदनं यथा । सर्पैश्च वेष्टितो राजन्महाचंदन एव हि

sasarposi mahārāja bhūtale caṃdanaṃ yathā | sarpaiśca veṣṭito rājanmahācaṃdana eva hi

اے مہاراج! تو زمین پر صندل کی مانند ہے؛ اگرچہ سانپوں نے تجھے گھیر رکھا ہو، اے راجن، تو پھر بھی حقیقتاً وہی اعلیٰ صندل ہے۔

ससर्पःwith snakes, snake-surrounded
ससर्पः:
Visheshana (Qualifier of त्वम्/विशेषण)
TypeAdjective
Rootस + सर्प (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचनम्; उपसर्गसदृश-पूर्वपद (स- = सहितः)
असिyou are
असि:
Kriya (Main action/क्रिया)
TypeVerb
Rootअस् (धातु)
Formलट्-लकारः (Present), मध्यमपुरुषः, एकवचनम्; परस्मैपदम्
महाराजO great king
महाराज:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootमहा + राजन् (प्रातिपदिके)
Formपुंलिङ्ग, सम्बोधन-विभक्ति, एकवचनम्; कर्मधारयः (महान् राजा)
भूतलेon the ground
भूतले:
Adhikarana (Location/अधिकरण)
TypeNoun
Rootभू + तल (प्रातिपदिके)
Formनपुंसकलिङ्ग, सप्तमी-विभक्ति, एकवचनम्; तत्पुरुषः (भू-तलम् = earth-surface)
चन्दनम्sandalwood
चन्दनम्:
Upamana (Standard of comparison/उपमान)
TypeNoun
Rootचन्दन (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा-विभक्ति, एकवचनम्
यथाas, like
यथा:
Sambandha (Comparison marker/उपमान)
TypeIndeclinable
Rootयथा (अव्यय)
Formअव्ययम्; उपमानवाचक-अव्ययम् (as/like)
सर्पैःby snakes
सर्पैः:
Karana (Instrument/करण)
TypeNoun
Rootसर्प (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति, बहुवचनम्
and
:
Sambandha (Conjunction/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्ययम्; समुच्चय-निपातः (conjunction)
वेष्टितःwrapped, encircled
वेष्टितः:
Kriya (Predicate/क्रिया-भाव)
TypeVerb
Rootवेष्ट् (धातु) + क्त (कृत्)
Formभूतकर्मणि कृदन्तः (past passive participle), पुंलिङ्ग, प्रथमा-विभक्ति, एकवचनम्
राजन्O king
राजन्:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootराजन् (प्रातिपदिक)
Formपुंलिङ्ग, सम्बोधन-विभक्ति, एकवचनम्
महाचन्दनःgreat sandalwood (tree)
महाचन्दनः:
Karta (Subject/कर्ता)
TypeNoun
Rootमहा + चन्दन (प्रातिपदिके)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचनम्; कर्मधारयः (महद् चन्दनम्)
एवindeed, just
एव:
Sambandha (Emphasis/अवधारण)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्ययम्; अवधारण-निपातः (emphatic: just/indeed)
हिfor, indeed
हि:
Sambandha (Reason/emphasis/हेतु)
TypeIndeclinable
Rootहि (अव्यय)
Formअव्ययम्; हेत्वर्थ-निपातः/निश्चयार्थः (for/indeed)

Unspecified (a counselor/sage addressing the king; exact speaker not provided in the input)

Concept: Intrinsic virtue remains unchanged even when surrounded by hostility; the noble retain their nature like sandalwood retains fragrance.

Application: Maintain ethical conduct and calm speech when surrounded by envy or slander; let character, not circumstance, define you.

Primary Rasa: karuna

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"A noble king stands calm and upright like a sandalwood tree trunk laid upon the earth, while dark serpents coil around it without diminishing its pale, fragrant aura. Courtiers watch in tense silence as a soft, unseen breeze carries sandal scent, suggesting unshaken virtue amid danger.","primary_figures":["A righteous king","serpents (symbolic of hostile rivals)","silent courtiers/sage-counselor"],"setting":"Royal garden edge or forest clearing near a palace, with a sandalwood log/tree as the central metaphor made literal.","lighting_mood":"forest dappled","color_palette":["sandalwood beige","deep emerald","cobra black","antique gold","smoke gray"],"tanjore_prompt":"Tanjore painting style: a composed king with halo-like aura stands beside a sandalwood trunk on earth, serpents coiling around it; gold leaf embellishment on the king’s ornaments and the sandalwood’s luminous grain, rich reds and greens in the background, traditional South Indian iconographic symmetry, gem-studded jewelry and ornate arch framing the moral allegory.","pahari_prompt":"Pahari miniature style: lyrical forest clearing with delicate brushwork; the king’s serene face rendered with refined features, serpents drawn as elegant sinuous lines around a pale sandalwood trunk; cool greens and soft browns, distant hills, minimal but expressive courtiers, poetic atmosphere of endurance.","kerala_mural_prompt":"Kerala mural style: bold black outlines, flat natural pigments; central king figure with large expressive eyes, sandalwood trunk rendered in warm ochres, serpents in dark greens and blacks; temple-wall aesthetic with decorative borders, emphasizing dharma’s radiance despite encirclement.","pichwai_prompt":"Pichwai cloth painting style: symbolic composition with lotus borders and floral vines; central sandalwood motif encircled by stylized serpents, the king shown in devotional calm; deep blues and gold accents, intricate textile patterns, peacocks and foliage as auspicious counterpoint to the serpents."}

Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Durga","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft temple bells","forest birds","low drone (tanpura)","brief silence after the simile"]}

Sandhi Resolution Notes: ससर्पोऽसि → ससर्पः असि; चंदनं → चन्दनम् (अनुस्वार/वर्तनी-भेद); सर्पैश्च → सर्पैः च; राजन्महाचंदन → राजन् महाचन्दनः.

FAQs

It compares a righteous king to sandalwood: even if surrounded by serpents (hostile or corrupt influences), his intrinsic virtue remains unchanged.

It teaches steadiness in dharma—true character is not diminished by dangerous surroundings or opposition.

A king should remain principled even when encircled by threats, intrigue, or morally compromised associates; virtue must be maintained despite pressure.