Shloka 69
The Episode of Vena: Purification, the ‘Vāsudevābhidhā’ Hymn, and the Dharma of Charity
Times, Tīrthas, Worthy Recipients
किं करोति समर्थश्च न दत्तं दानमुत्तमम् । महता पापरूपेण तमेवं परितापये
kiṃ karoti samarthaśca na dattaṃ dānamuttamam | mahatā pāparūpeṇa tamevaṃ paritāpaye
ایک صاحبِ استطاعت آدمی کیا کر سکتا ہے اگر اس نے اعلیٰ ترین دان نہ دیا ہو؟ اسی طرح میں اسے بڑے گناہ کی صورت میں تپاتا ہوں۔
Unclear from single-verse context (requires surrounding verses of Bhūmi-khaṇḍa 39).
Concept: Without true, excellent charity, even the capable person becomes bound and suffers; neglect of dana invites painful consequence.
Application: Make giving a deliberate practice—support temples, pilgrims, the poor, and dharmic learning; give before crisis forces learning through pain.
Primary Rasa: karuna
Secondary Rasa: raudra
Visual Art Cues: {"scene_description":"A powerful man—crowned yet anxious—stands before a looming shadow-form labeled ‘pāpa’ in symbolic script, as if sin itself has taken shape to scorch him. In the foreground, an untouched bowl of alms and a closed granary door show the missed opportunity of ‘uttama dāna,’ while distant needy figures fade like unserved prayers.","primary_figures":["king/capable man","personified sin (pāpa-rūpa, shadow figure)","beggars/ascetics (distant)"],"setting":"palace threshold opening into a moral dreamscape; granary, alms bowl, and a faint temple silhouette","lighting_mood":"stormy, moral chiaroscuro—dark shadow pressing against a narrow beam of light","color_palette":["royal crimson","ash gray","shadow black","brass gold","dusty ochre"],"tanjore_prompt":"Tanjore painting style: crowned figure confronted by a towering dark pāpa-rūpa; gold-leaf palace arch and halo-like moral spotlight; rich reds and greens, embossed gold on crown and temple silhouette, gem-studded ornaments contrasting with the matte darkness of sin.","pahari_prompt":"Pahari miniature style: introspective palace scene—fine detailing of granary door and alms bowl; the pāpa shadow rendered as a soft ink wash; cool muted palette with crimson accents; distant ascetics near a temple, lyrical moral narrative.","kerala_mural_prompt":"Kerala mural style: bold outlines—king and pāpa-rūpa in frontal confrontation; stylized flames of remorse; patterned borders with dana symbols (coins, vessels) and dharma motifs; red/yellow/green palette with deep blacks.","pichwai_prompt":"Pichwai cloth painting style: symbolic dana-mandala—central figure hesitating with an alms bowl; surrounding ring of lotus petals turning dark where giving is withheld; deep blue and gold, intricate floral borders, devotional moral allegory rather than literal fear."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"emotional","sound_elements":["low drum","temple bell","wind hush","single conch note"]}
Sandhi Resolution Notes: समर्थश्च = समर्थः + च; दानमुत्तमम् = दानम् + उत्तमम्; तमेवं = तम् + एवम्.
FAQs
It teaches that capability or wealth is spiritually futile if one withholds the “highest gift,” i.e., charitable giving; neglecting dāna becomes a cause of inner torment and moral downfall.
It personifies the consequence as “great sin” (mahān pāpa) that afflicts the person—suggesting suffering (paritāpa) arising from miserliness and missed dharmic duty.
Based on the verse alone, it reads as general dharma-śāstra style instruction about dāna and pāpa; identifying a specific Vaishnava-bhakti frame would require the chapter’s broader narrative context.