Previous Verse
Next Verse

Padma Purana — Bhumi Khanda, Shloka 11

The Episode Leading to Vena: Aṅga Learns the Cause of Indra’s Sovereignty

यथा सुव्रत मेधावी पुराराधितवान्हरिम् । तस्य भावं च भक्तिं च ध्यानं चैव महात्मनः

yathā suvrata medhāvī purārādhitavānharim | tasya bhāvaṃ ca bhaktiṃ ca dhyānaṃ caiva mahātmanaḥ

اے سُوورت! میں بیان کروں گا کہ اس دانا نے قدیم زمانے میں ہری (بھگوان وشنو) کی کس طرح آرادھنا کی؛ نیز اس مہاتما کے باطنی بھاؤ، بھکتی اور دھیان کو بھی۔

यथाjust as
यथा:
Sambandha (Comparative/सम्बन्ध)
TypeIndeclinable
Rootयथा (अव्यय)
Formअव्यय; उपमान/प्रकारवाचक (indeclinable; comparative/manner: “as/just as”)
सुव्रतO man of good vows
सुव्रत:
Sambodhana (Address/सम्बोधन)
TypeNoun
Rootसुव्रत (प्रातिपदिक)
Formपुंलिङ्ग; सम्बोधन (8/सम्बोधन), एकवचन; ‘सु+व्रत’ कर्मधारय-समास (Masculine vocative singular)
मेधावीthe intelligent one
मेधावी:
Karta (Subject/कर्ता)
TypeNoun
Rootमेधाविन् (प्रातिपदिक)
Formपुंलिङ्ग; प्रथमा (1), एकवचन (Masculine nominative singular)
पुराformerly
पुरा:
Kriya-visheshaṇa (Adverbial/क्रियाविशेषण)
TypeIndeclinable
Rootपुरा (अव्यय)
Formअव्यय; कालवाचक क्रियाविशेषण (indeclinable adverb of time: formerly)
आराधितवान्worshipped
आराधितवान्:
Karta (Agent/कर्ता)
TypeVerb
Rootआ-√राध् (धातु) + क्तवत् (कृदन्त)
Formक्तवत्-प्रत्ययान्त कृदन्त (past active participle); पुंलिङ्ग, प्रथमा (1), एकवचन; परस्मैपदी धातु √राध् (having worshipped)
हरिम्Hari (Vishnu)
हरिम्:
Karman (Object/कर्म)
TypeNoun
Rootहरि (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2), एकवचन (Masculine accusative singular)
तस्यof him
तस्य:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/नपुंसकलिङ्ग; षष्ठी (6), एकवचन (Genitive singular: “of him/of that”)
भावम्disposition, inner feeling
भावम्:
Karman (Object/कर्म)
TypeNoun
Rootभाव (प्रातिपदिक)
Formपुंलिङ्ग; द्वितीया (2), एकवचन (Masculine accusative singular)
and
:
Samuccaya (Connector/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक निपात (conjunction: and)
भक्तिम्devotion
भक्तिम्:
Karman (Object/कर्म)
TypeNoun
Rootभक्ति (प्रातिपदिक)
Formस्त्रीलिङ्ग; द्वितीया (2), एकवचन (Feminine accusative singular)
and
:
Samuccaya (Connector/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक निपात (conjunction: and)
ध्यानम्meditation
ध्यानम्:
Karman (Object/कर्म)
TypeNoun
Rootध्यान (प्रातिपदिक)
Formनपुंसकलिङ्ग; द्वितीया (2), एकवचन (Neuter accusative singular)
and
:
Samuccaya (Connector/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चयबोधक निपात (conjunction: and)
एवindeed
एव:
Avadhāraṇa (Emphasis/अवधारण)
TypeIndeclinable
Rootएव (अव्यय)
Formअव्यय; अवधारणार्थक निपात (particle of emphasis: indeed/just)
महात्मनःof the great-souled (person)
महात्मनः:
Sambandha (Genitive/सम्बन्ध)
TypeNoun
Rootमहात्मन् (प्रातिपदिक)
Formपुंलिङ्ग; षष्ठी (6), एकवचन; ‘महत्+आत्मन्’ कर्मधारय-समास (Masculine genitive singular: of the great-souled one)

Unspecified narrator (contextual speaker not provided in the input excerpt)

Concept: True worship of Hari is defined by inner disposition (bhāva), devotion (bhakti), and sustained meditation (dhyāna).

Application: Before any ritual, set intention: cultivate gratitude, humility, and single-pointed remembrance; add a short daily dhyāna on Hari’s form and names.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Visual Art Cues: {"scene_description":"A wise devotee is shown in quiet worship before a simple Hari shrine: a small śālagrāma on a pedestal, a lamp flame steady, and the devotee’s eyes half-closed in dhyāna. Subtle visual cues—soft breath, still hands, and a calm aura—convey that bhāva and meditation are the true offerings.","primary_figures":["Suvrata (as exemplary devotee)","Hari/Vishnu (as invoked presence, icon or subtle vision)"],"setting":"Modest home-altar or hermitage shrine with śālagrāma, conch, tulasi leaves in a small bowl, and a single ghee lamp.","lighting_mood":"temple lamp-lit","color_palette":["deep indigo","lamp gold","ivory white","tulasi green","vermillion"],"tanjore_prompt":"Tanjore painting style: Devotee Suvrata in dhyāna before a Vishnu shrine, gold-leaf aura around the icon, rich red and green textiles, ornate jewelry on the deity, conch and chakra motifs embossed, lamp rendered with bright gold highlights, symmetrical temple-arch frame.","pahari_prompt":"Pahari miniature style: Intimate indoor shrine scene, delicate lines, cool indigo shadows, soft lamp glow, refined facial features, small śālagrāma and tulasi bowl painted with meticulous detail, quiet lyrical mood.","kerala_mural_prompt":"Kerala mural style: Vishnu icon with bold outlines and characteristic eyes, devotee seated cross-legged in meditation, strong red/yellow/green palette, stylized lamp and floral borders, temple-wall composition.","pichwai_prompt":"Pichwai cloth painting style: Central shrine with Vishnu presence suggested through symbols (conch, chakra, lotus), devotee in bhāva, lotus creepers and peacocks framing the scene, deep blue background with gold floral borders, devotional stillness."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["lamp crackle","soft japa murmurs","conch shell (distant)","silence"]}

Sandhi Resolution Notes: पुराराधितवान्हरिम् = पुरा + आराधितवान् + हरिम्; चैव = च + एव

H
Hari (Vishnu)

FAQs

It links successful worship of Hari with three inner pillars—bhāva (right intention), bhakti (devotion), and dhyāna (meditative focus)—showing that devotion is not merely ritual but a cultivated inner state.

Dhyāna (meditation) is explicitly mentioned, indicating sustained contemplative absorption on Hari as an essential companion to devotion.

“Suvrata” suggests a person committed to good vows and disciplined conduct, implying that moral restraint and steady practice form a supportive foundation for devotion and meditation.