Episode of Vena: The Power of Association and Revā (Narmadā) Tīrtha
बाणं मुमोच दुष्टात्मा तामुद्दिश्य महाबलः । निहता मृगलुब्धेन बाणेन निशितेन च
bāṇaṃ mumoca duṣṭātmā tāmuddiśya mahābalaḥ | nihatā mṛgalubdhena bāṇena niśitena ca
وہ بدباطن، زورآور آدمی اسے نشانہ بنا کر تیر چھوڑ بیٹھا۔ شکاری کے تیز و نوکیلے تیر سے وہ ہرنی مار دی گئی۔
Narrator (within the Pulastya–Bhīṣma dialogue context)
Concept: Himsa born of pāpa-citta brings immediate suffering and sets the stage for karmic recoil; compassion is the dharmic baseline even toward animals.
Application: Avoid cruelty in speech and action; cultivate non-harming (ahiṃsā) and restraint, especially when power or skill (bala) tempts one toward domination.
Primary Rasa: karuna
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A tense forest moment freezes as a sharp arrow leaves the bow, cutting through dust-moted air toward a startled doe. The doe’s eyes widen in terror, while the hunter’s face is hardened by greed and cruelty, the surrounding trees witnessing the breach of dharma.","primary_figures":["mṛgavyādha (hunter)","mṛgī (doe)"],"setting":"dense woodland edge near rocky slopes, with faint glimpse of a distant sacred waterbody hinted through mist","lighting_mood":"forest dappled with harsh shafts of light","color_palette":["deep forest green","iron gray","blood crimson","dusty ochre","bone white"],"tanjore_prompt":"Tanjore painting style: dramatic forest tableau with the hunter drawing a bow at a doe, stylized trees and ornate borders; gold leaf highlights on the arrowhead and jewelry, rich maroon and emerald garments, traditional South Indian iconographic framing with embossed halos for moral contrast (subtle divine witness motif).","pahari_prompt":"Pahari miniature style: delicate brushwork showing a startled doe and a hunter releasing an arrow, cool greens and muted browns, lyrical forest with fine leaf patterns, refined facial features, distant hill contours suggesting a sacred landscape beyond the violence.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments; the hunter in dynamic posture, the doe mid-leap, expressive wide eyes, patterned foliage bands, red-yellow-green palette with controlled use of dark tones to convey pāpa and fear.","pichwai_prompt":"Pichwai cloth painting style: symbolic rendering where the forest becomes a moral stage—lotus and floral borders encircle the scene; the doe placed near stylized water-lotus motifs hinting at impending purification, deep indigo background with gold detailing and intricate vines."}
Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["dry wind through leaves","distant bird calls suddenly silenced","bowstring snap","brief stunned silence"]}
Sandhi Resolution Notes: तामुद्दिश्य = ताम् + उद्दिश्य; श्लोकपादान्ते विरामः।
A powerful but wicked person shoots an arrow at a woman, and she is killed by a hunter’s sharp arrow.
It underscores the destructive consequences of cruelty and wrongful intent, aligning with Purāṇic themes that harmful actions lead to grave outcomes.
No. The verse focuses on the act (shooting and killing) without explicitly naming deities or specific individuals in this single shloka.