Shloka 112
Marks of the Debt-Bound/Enemy Son, Filial Dharma, Detachment, and the Durvāsā–Dharma Episode
अन्येन क्रियते क्लेशमन्येनापि सुखं पुनः । भुनक्ति पुरुषो धर्म तत्सर्वं श्रेयसा युतम्
anyena kriyate kleśamanyenāpi sukhaṃ punaḥ | bhunakti puruṣo dharma tatsarvaṃ śreyasā yutam
مشقت ایک کرتا ہے اور خوشی پھر کوئی دوسرا بھوگتا ہے؛ لیکن دھرم کا پھل تو انسان خود ہی پاتا ہے۔ اس لیے یہ سب کچھ اپنے ہی شریَس، یعنی اعلیٰ بھلائی، سے بندھا ہوا ہے۔
Unspecified (contextual dialogue not provided in the input)
Concept: Despite appearances, the individual ultimately experiences the fruit of dharma; all is tied to one’s śreyas (higher good).
Application: Choose dharmic actions even if others seem to benefit; your inner purification and future welfare are the real fruit.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A calm sage draws a line in the dust forming the word ‘śreyas’ while two streams flow beside it—one muddy (short-term gain), one clear (dharma). Above, Vishnu as antaryamin is suggested by a subtle blue radiance within the sage’s heart-lotus, indicating that the true fruit returns inward to the doer.","primary_figures":["a serene rishi-teacher","a student or householder listener","symbolic inner Vishnu radiance"],"setting":"Riverbank hermitage with kusa grass seat, palm-leaf manuscripts, and a Tulasi pot near a small Vishnu altar","lighting_mood":"golden dawn","color_palette":["dawn gold","clear river blue","lotus pink","sage green","soft white"],"tanjore_prompt":"Tanjore painting style: rishi teaching śreyas on a riverbank, listener attentive, Vishnu’s subtle blue aura within a heart-lotus motif; gold leaf for dawn and halo effects, ornate altar with conch and chakra, rich maroons and greens, jewel-like detailing.","pahari_prompt":"Pahari miniature style: dawn by a gentle river, rishi inscribing ‘śreyas’ in sand, student seated; delicate flora, cool blues with warm sunrise wash; a faint inner blue glow motif near the chest to suggest antaryamin.","kerala_mural_prompt":"Kerala mural style: symmetrical hermitage scene—rishi and disciple, stylized river waves, Tulasi and lamp; inner Vishnu indicated by a small blue lotus medallion; bold outlines, earthy reds/yellows/greens.","pichwai_prompt":"Pichwai cloth painting style: riverbank mandala composition with ‘śreyas’ as central motif, lotus borders, peacocks, and a small Vishnu emblem above; deep blue and gold highlights, intricate floral patterns around the dharma-stream imagery."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["flowing water","tanpura drone","soft conch in distance","morning birds"]}
Sandhi Resolution Notes: क्लेशम्+अन्येन+अपि → क्लेशमन्येनापि; तत्+सर्वम् → तत्सर्वम्
FAQs
It emphasizes karma and personal responsibility: even if pleasure or pain seems to come through others, the experiencer undergoes results aligned with dharma and one’s ultimate welfare (śreyas).
No; it acknowledges others as apparent agents of pleasure and pain, but highlights that the deeper moral causality (the experienced fruit) is tied to one’s own dharma/karma.
Cultivate dharma and avoid blaming others as the sole cause of one’s fate; focus on right action, since the experienced outcomes are ultimately linked to one’s own moral trajectory.