यस्य वै त्रीणि सुभगे मातॄणां चारुहासिनि । शतानि कनकाभासे त्वविशेषेण पश्यति ॥ ५३ ॥
yasya vai trīṇi subhage mātṝṇāṃ cāruhāsini | śatāni kanakābhāse tvaviśeṣeṇa paśyati || 53 ||
اے نیک بخت، شیریں خندہ، زرّیں رنگ والی! جو بلا امتیاز تین سو ماترکاؤں (ماؤں کی دیویوں) کا درشن کرتا ہے، اسے ایسی ہی الٰہی بصیرت حاصل ہوتی ہے۔
Narada (in dialogue instruction to a divine lady/Devi figure within the tirtha-mahatmya narrative)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It highlights a sacred form of perception: the devotee’s “darśana” becomes expansive enough to perceive the divine Mothers (Mātṛs) collectively and without bias, indicating purified vision and spiritual maturity.
By stressing “aviśeṣeṇa” (without distinction), it implies reverent, non-sectarian devotion—seeing the Divine presence in its many maternal manifestations rather than limiting faith to a single form.
No specific Vedāṅga technique is taught directly; the practical takeaway is ritual-spiritual: cultivate disciplined worship and purity so that darśana (sacred vision) becomes steady and inclusive.