Kāruṇya-stotra Phalaśruti; Dream-Darśana of Vāsudeva; Manifestation and Pratiṣṭhā of Jagannātha, Balabhadra (Ananta), and Subhadrā
गौरं गोक्षीरवर्णाभे द्वितीयं स्वस्तिकांकितम् । लांगलास्त्रधरं देवमनंताख्यं महाबलम् ॥ ५७ ॥
gauraṃ gokṣīravarṇābhe dvitīyaṃ svastikāṃkitam | lāṃgalāstradharaṃ devamanaṃtākhyaṃ mahābalam || 57 ||
دوسرا دیویہ روپ گورا ہے—گائے کے دودھ جیسی چمک کے ساتھ—سواستک کے نشان سے مُہر بند؛ ہل کو ہتھیار کے طور پر دھارنے والا وہ مہابلی دیوتا ‘اننت’ کہلاتا ہے۔
Narada (as narrator within the Uttara-Bhaga mahatmya-style description)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It presents a meditative iconography of the deity Ananta—radiant, auspiciously marked, and powerful—guiding devotees to contemplate divine qualities (śubha-lakṣaṇa, bala) as part of mahatmya-based devotion.
By describing the deity’s auspicious marks and attributes, the verse supports rūpa-dhyāna (devotional contemplation of form), a practical bhakti method where remembrance is stabilized through clear sacred imagery.
Iconographic identification relies on śāstric lakṣaṇas (recognition by marks and weapons); while not a direct Vedāṅga lesson, it aligns with traditional ritual/temple practice where correct form-description supports worship procedures.