Pūjādi-kathana — Gaṅgā Vratas, Tenfold Worship, Stotra, and Mokṣa on the Riverbank
नमस्ते स्वर्गसंस्थायै अभिन्नायै नमोनमः । शान्तायै ते प्रतिष्ठायै वरदायै नमोनमः ॥ ७९ ॥
namaste svargasaṃsthāyai abhinnāyai namonamaḥ | śāntāyai te pratiṣṭhāyai varadāyai namonamaḥ || 79 ||
اے سُورگ میں قائم دیوی! تجھے نمسکار؛ اے اَبھِنّا (غیر منقسم)! تجھے بار بار پرنام۔ اے شانتی کی پرتِشٹھا! تجھے نمستے؛ اے ورداینی! تجھے پھر پھر نمسکار۔
Narada (hymnic praise within the Uttara-Bhaga narrative)
Vrata: none
Rasa: {"primary_rasa":"bhakti","secondary_rasa":"shanta","emotional_journey":"Reverence moves from heavenly abiding to the metaphysical claim of undividedness (abhinnā), settling into peace (śāntā) and concluding with boon-bestowal (varadā)."}
It is a compact stotra-verse emphasizing surrender (namo namaḥ), praising the deity/power as heavenly, peaceful, the sustaining foundation (pratiṣṭhā), and the compassionate giver of boons—key bhakti markers in the Uttara-Bhāga’s sacred-place (tīrtha) atmosphere.
Bhakti is expressed through repeated salutations and naming divine attributes: transcendence (svargasaṃsthā), unity (abhinnā), serenity (śāntā), support (pratiṣṭhā), and grace (varadā). Remembering and addressing these qualities is itself a devotional practice.
No specific Vedāṅga technique is taught directly; the verse is primarily stotra-bhakti. Practically, it models mantra-like repetition (namo namaḥ) and precise epithets—useful for correct recitation (śikṣā) and devotional liturgy.