बहुवित्तयुतां विप्रो महोदयपुरं ययौ । आरुह्य करिणीरूपां राक्षसीं क्षणमात्रतः ॥ ४७ ॥
bahuvittayutāṃ vipro mahodayapuraṃ yayau | āruhya kariṇīrūpāṃ rākṣasīṃ kṣaṇamātrataḥ || 47 ||
کثیر دولت کے ساتھ وہ برہمن مہودیہ پور گیا؛ ہتھنی کی صورت اختیار کرنے والی راکشسی پر سوار ہو کر وہ پل بھر میں وہاں پہنچ گیا۔
Narada (narrating to the Sanatkumara brothers)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: vira
It highlights the Purāṇic theme that worldly means (even wealth and extraordinary conveyance) can rapidly carry one to a famed place, yet the deeper purpose of such movement is to enter the sphere of tīrtha-māhātmya—where dharma and sacred merit are emphasized over mere speed or display.
Bhakti is implied indirectly: the journey to Mahodaya-pura functions as a gateway to hearing and performing sacred acts associated with the tīrtha; in the Narada Purana, such tīrtha narratives typically culminate in devotion to Hari/Vishnu through worship, vows, and remembrance, even if this particular line focuses on the travel event.
No specific Vedāṅga (like Vyākaraṇa, Jyotiṣa, or Kalpa) is taught in this verse; it primarily serves narrative momentum within a tīrtha-māhātmya context, preparing for subsequent ritual or merit-related instructions.