Narada Purana — Purva Bhaga, Shloka 85
The Exposition of the Maheśa Mantra
Mahēśa-mantra-prakāśana
प्राज्ञा समीरिता षष्ठी भवांते स्यात्प्रभा कला । उद्भवाय नमः पश्चात्सुधा स्यादष्टमी कला ॥ ८५ ॥
prājñā samīritā ṣaṣṭhī bhavāṃte syātprabhā kalā | udbhavāya namaḥ paścātsudhā syādaṣṭamī kalā || 85 ||
‘پراج्ञا’ کو چھٹی کلا کہا گیا ہے؛ پچھلی کلا کے آخر میں ‘پربھا’ نام کی کلا ہوتی ہے۔ اس کے بعد “اُدبھَوای نمः” کا نمسکار آتا ہے؛ اور ‘سُدھا’ آٹھویں کلا کہی جاتی ہے۔
Sanatkumara (in instruction to Narada, within a technical Vedāṅga-style listing)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It emphasizes disciplined, named sequencing in sacred practice—specific kalās (portions) and a precise salutation are to be placed in order, showing that spiritual efficacy depends on correct structure as well as devotion.
Bhakti here is expressed through reverential mantra—“namaḥ udbhavāya”—inserted in a prescribed sequence, indicating devotion guided by śāstra-based procedure rather than mere sentiment.
It reflects a technical, Vedāṅga-like method of enumeration and placement (anukrama/krama): naming units (kalā), assigning ordinal numbers, and indicating where a mantra phrase is to be recited—useful for correct ritual/recitation order.