The Account of the Lalitā Hymn, the Protective Armor
Kavaca), and the Thousand Names (Sahasranāma
सेकाख्या वीक्षणाख्या चोपदेशाख्या तथैव च । व्याकुलाक्षरसंकेता गायत्री प्रणवादिका ॥ १६० ॥
sekākhyā vīkṣaṇākhyā copadeśākhyā tathaiva ca | vyākulākṣarasaṃketā gāyatrī praṇavādikā || 160 ||
پرنَو ‘اوم’ سے آغاز ہونے والی گایتری ‘سیکا’، ‘ویکشنا’ اور ‘اوپدیشا’ جیسے فنی طریقوں سے بھی متعین کی جاتی ہے؛ نیز حروف کے خاص، پیچیدہ اشاراتی ترتیب سے بھی نشان زد ہے۔
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It frames Gāyatrī (with Oṁ) not merely as a single utterance but as a disciplined, tradition-bound practice with recognized modes and precise syllabic indications—emphasizing purity of sound and method as part of spiritual efficacy.
By placing Pranava-led Gāyatrī within authorized methods of transmission (upadeśa) and correct phonetic handling, it supports bhakti through reverent, rule-guided japa—devotion expressed as careful sacred recitation.
Śikṣā (phonetics) and mantra-prayoga: the verse points to technical classifications of recitation and the importance of akṣara-saṃketa—accurate syllable marking and articulation in Vedic chanting.