The Description of the Four Durgā Mantras
मालतीबकुलोद्भूतैः पुष्पैश्चन्दनलोलितैः । जुहुयात्कवितां मन्त्री लभते वत्सरांतरे ॥ ८९ ॥
mālatībakulodbhūtaiḥ puṣpaiścandanalolitaiḥ | juhuyātkavitāṃ mantrī labhate vatsarāṃtare || 89 ||
مالتی اور بکول کے پھولوں پر صندل کا لیپ کر کے منتر جاننے والا ہوم کرے؛ ایک سال کے اندر اسے شاعرانہ الہام (کویتہ) حاصل ہوتا ہے۔
Sanatkumara (teaching Narada in a Vedanga/ritual-application context)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents a ritualized discipline where purity of offerings (flowers anointed with sandalwood) and mantra-guided homa are said to refine speech and intellect, culminating in kavitā (poetic inspiration) as a siddhi attained through sustained practice.
Though technical in tone, it implies devotional reverence expressed through fragrant, pure offerings and mantra-ritual; the fruit (kavitā) is treated as a grace-like attainment that arises from disciplined worship and sustained sādhana.
It reflects applied ritual procedure (kalpa-style practice) and mantra-usage—how specific substances and precise offerings in homa are linked to a targeted result (speech/poetic capacity), aligning with Vedanga-oriented technical instruction.