The Description of the Four Durgā Mantras
हृद्यघोरकुमारादिकंदर्प्पं तदनंतरम् । गुह्यदेशे प्रविन्यस्येद्वामदेवादिमन्मथम् ॥ ४९ ॥
hṛdyaghorakumārādikaṃdarppaṃ tadanaṃtaram | guhyadeśe pravinyasyedvāmadevādimanmatham || 49 ||
پھر دل کے مقام پر اَگھورکُمار وغیرہ کے روپ میں کندرپ کا نیاس کرے۔ اس کے بعد گُہیہ (پوشیدہ) مقام میں وام دیو وغیرہ کے روپ میں منمتھ کو قائم کرے۔
Sanatkumara (in instruction to Narada, within a technical/ritual teaching sequence)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: shringara
It teaches internal worship through nyāsa—placing mantra-deity forms into specific bodily centers—so the practitioner’s body becomes a consecrated field for disciplined sādhanā rather than mere external ritual.
By prescribing devotional internalization: the deity is not only worshipped outwardly but installed within the heart and vital centers, aligning emotion (hṛd) and embodied life with sacred remembrance.
It reflects applied ritual-technology: precise nyāsa procedure (a technical prayoga) that relies on correct recitation and placement—closely tied to śikṣā (phonetics) and kalpa (ritual method) in practice.