Bhuvaneśī (Nidrā-Śakti) Mantra-vidhi, Nyāsa–Āvaraṇa Worship, Padma-homa Prayogas, and the Opening of Śrī-Mahālakṣmī Upāsanā
वागीश्वर्या समायुक्तं वामगंडे महेश्वरम् । श्रिया धनपतिं न्यस्य वामकर्णाग्रके पुनः ॥ १२ ॥
vāgīśvaryā samāyuktaṃ vāmagaṃḍe maheśvaram | śriyā dhanapatiṃ nyasya vāmakarṇāgrake punaḥ || 12 ||
واغیشوری کی شکتی سے یکت مہیشور کا نیاس بائیں گال پر کرے۔ اور شری کے ساتھ دھن پتی (کبیر) کو پھر بائیں کان کے سرے پر نیاس کرے۔
Narada (instructional narration within a technical/ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches nyāsa—internalizing divine powers by placing specific deities on specific body-points—so speech (Vāgīśvarī) and auspicious strength (Śrī) become sanctified supports for the sādhaka’s practice.
By ritually “placing” Mahādeva and Dhanapati with their śaktis, the practitioner treats the body as a temple; this embodied reverence is a practical form of devotion that aligns mind, speech, and prosperity toward dharmic worship.
A technical ritual method (nyāsa) used in mantra-prayoga: assigning devatās to aṅgas (body locations) to stabilize recitation, intention, and auspicious results—typical of applied Vedic/Āgamic procedure discussed in Book 1.3.