Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
अत्रावाह्य च मूलेन मूर्तिं संकल्प्य साधकः । षट् कोणेषु षडंगानि दक्षिणे तु गजाननम् ॥ ५६ ॥
atrāvāhya ca mūlena mūrtiṃ saṃkalpya sādhakaḥ | ṣaṭ koṇeṣu ṣaḍaṃgāni dakṣiṇe tu gajānanam || 56 ||
یہاں مول منتر سے آواہن کرکے سالک دل میں دیویہ مُورت کا سنکلپ کرے۔ چھ کونوں میں شڈنگ نیاس کرے اور جنوب کی سمت گجانن (گنیش) کو قائم کرے॥
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that worship begins with inner formation of the deity (saṅkalpa) and disciplined mantra-installation (ṣaḍaṅga-nyāsa), making the practitioner’s body-mind and the ritual space fit to hold divine presence.
Bhakti here is shown as focused, reverent approach: invoking through the mūla-mantra, visualizing the form, and arranging protective/empowering nyāsa—devotion expressed through precision and one-pointed remembrance.
Ritual-technical knowledge is emphasized: āvāhana (invocation), saṅkalpa (ritual resolve), ṣaḍaṅga-nyāsa (mantra-limb installation), and directional placement—core procedures used in mantra-śāstra and āgamic-style worship.