Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
राधिका प्रणवो बीजं स्वाहा शक्तिरुदाहृता । षडक्षरैः षडंगानि कुर्याद्विन्दुविभूषितैः ॥ ३५ ॥
rādhikā praṇavo bījaṃ svāhā śaktirudāhṛtā | ṣaḍakṣaraiḥ ṣaḍaṃgāni kuryādvinduvibhūṣitaiḥ || 35 ||
‘رادھیکا’ اصل منتر ہے؛ پرنَو (اوم) اس کا بیج کہا گیا ہے اور ‘سواہا’ اس کی شکتی بتائی گئی ہے۔ بندو سے مزین چھ اَکشروں کے ساتھ شڈنگ نیاس کرنا چاہیے۔
Sanatkumara (teaching Narada in a Vedanga/ritual-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It frames a mantra as a living power: Oṁ functions as the seed (bīja), svāhā as the activating force (śakti), and ṣaḍaṅga-nyāsa sanctifies the practitioner’s body as a fit support for devotion and mantra-japa.
By prescribing mantra-vidhi centered on Rādhikā, it presents bhakti not only as emotion but as disciplined worship—using sacred sound, nyāsa, and reverent recitation to internalize the deity’s presence.
It highlights ritual-technical practice akin to Vedāṅga-oriented precision: mantra components (bīja/śakti), phonetic markers like bindu (anusvāra), and the standardized ṣaḍaṅga-nyāsa sequence used in tantric-ritual application.