Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
नानापापनृशंसघ्नी षट्पदी वज्रिणी रणी । योगिनी वमला सत्या अबला बलदा जया ॥ १६३ ॥
nānāpāpanṛśaṃsaghnī ṣaṭpadī vajriṇī raṇī | yoginī vamalā satyā abalā baladā jayā || 163 ||
وہ بہت سے گناہوں اور سنگدل اعمال کو مٹانے والی، شٹپدی، وجر دھارिणی اور میدانِ جنگ کی رَنی ہے۔ وہ یوگنی، بے داغ، سچّی، اَبلا (نرم مگر کمزور نہیں)، قوت بخشنے والی اور ہمیشہ فاتح جَیا ہے۔
Narada (in a recitational/technical listing of divine epithets within the Vedanga-oriented section)
Vrata: none
Primary Rasa: vira
Secondary Rasa: bhakti
It presents a sequence of powerful epithets used for remembrance and recitation, emphasizing purification (destroying sins), inner truth and purity, yogic attainment, and the granting of strength and victory—core outcomes traditionally associated with nāma-japa and stotra practice.
By concentrating devotion through repeated divine names and qualities—purity (vimalā), truth (satyā), and victory (jayā)—it trains the mind to dwell on the deity’s auspicious attributes, a standard bhakti method alongside ritual and study.
The verse functions like a nāma-list used in regulated recitation, aligning with Chandas (meter) and the disciplined use of sacred vocabulary typical of Vedanga-informed stotra/ mantra practice.