Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
धर्मार्थकाममोक्षाप्त्यै विनियोग उदाहृतः । षडंगदेवतामन्त्रैरंगन्यासं समाचरेत् ॥ १४० ॥
dharmārthakāmamokṣāptyai viniyoga udāhṛtaḥ | ṣaḍaṃgadevatāmantrairaṃganyāsaṃ samācaret || 140 ||
دھرم، ارتھ، کام اور موکش کی حصولیابی کے لیے وِنیوگ یوں بیان ہوا ہے؛ پھر شڈَنگ کے حاکم دیوتاؤں کے منتروں سے اَنگ نیاس کرنا چاہیے۔
Sanatkumara (in instruction to Narada, within the Vedāṅga/ritual-technical discourse)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It frames mantra-prayoga as a complete sādhana: by correctly stating the viniyoga and performing aṅganyāsa, the practitioner aligns intention, deity-power, and body-mind for the four human aims culminating in mokṣa.
Bhakti here is expressed as disciplined worship: the devotee approaches the deity through mantras with proper application (viniyoga) and embodied reverence (nyāsa), turning devotion into a precise, sanctifying practice.
It highlights mantra-śāstra prayoga—especially the procedural elements of viniyoga and ṣaḍaṅga/aṅganyāsa—showing the technical ritual method used in Vedic and tantric-style recitation.