Narada Purana — Purva Bhaga, Shloka 104
Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
संस्मरन् सर्ववनिताः सततं देवताधिया । कवित्वं लभते धीमान् मासैर्द्वादशभिर्ध्रुवम् ॥ १०४ ॥
saṃsmaran sarvavanitāḥ satataṃ devatādhiyā | kavitvaṃ labhate dhīmān māsairdvādaśabhirdhruvam || 104 ||
جو شخص دیوتا کی بھاوَنا کے ساتھ تمام الٰہی نسوانی شکتیوں کا مسلسل سمرن کرتا ہے، وہ دانا بارہ ماہ میں یقیناً شاعری کی مہارت پا لیتا ہے۔
Sanatkumara (teaching Narada in a Vedanga/vidya-phala context)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: shanta (peace)
FAQs
It teaches that sustained deity-centered remembrance (devatā-dhī) refines speech and intellect, culminating in kavitva—an inspired, disciplined power of expression treated as a siddhi born of sādhana.
By making continuous remembrance and deity-oriented contemplation the means, it frames excellence in speech as a fruit of steady devotional focus rather than mere talent.
The verse points to the Vedanga-oriented ideal of mastering speech and expression (linked with Śikṣā and Vyākaraṇa in practice) through disciplined smaraṇa and dhyāna, implying that learning is strengthened by devotional concentration.