The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
कुब्जारूपप्रदो विज्ञो मुकुंदो विष्टरश्रवाः । सर्वज्ञो मथुरालोकी सर्वलोकाभिनंदनः ॥ ८३ ॥
kubjārūpaprado vijño mukuṃdo viṣṭaraśravāḥ | sarvajño mathurālokī sarvalokābhinaṃdanaḥ || 83 ||
وہ جو کُبجا کو سیدھا (خوبصورت) روپ عطا کرتے ہیں؛ سب کچھ جاننے والے حکیم؛ مُکُند—نجات بخش؛ جن کی شہرت دور دور تک پھیلی ہوئی ہے؛ متھرا میں مقیم ربّ؛ اور تمام جہانوں کے محبوب و مُبارک باد پانے والے۔
Narada (in dialogue framework with Sanatkumara tradition; verse functions as an epithet-list praising Vishnu/Krishna)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It concentrates devotion through a compact series of divine epithets: remembering the Lord as liberator (Mukunda), omniscient, universally praised, and present in sacred Mathurā—showing that sincere remembrance purifies and uplifts.
Bhakti is expressed as nāma-smaraṇa: contemplating the Lord’s qualities and līlā references (like Kubjā’s transformation) strengthens faith that divine grace can transform the devotee and culminate in mokṣa.
While not a technical sutra, it reflects the applied use of chandas and nāma-stotra recitation—supporting disciplined chanting (śikṣā/pronunciation and chandas/metrical flow) as a practical devotional method.